I Should’ve Started a Chemical Fire…I Should’ve Burned This Place to the Ground….

I Should’ve Started a Chemical Fire…I Should’ve Burned This Place to the Ground….

No intro necessary and in no particular logical order, my most go to 2018 releases.  Spotify playlist to follow.  Enjoy and Happy 2019.  xo PJH

 

Hot Snakes – Jericho Sirens (Sub Pop) – Catching this San Diego, CA post-hardcore phenomena live earlier this year in San Francisco was a life changing experience for me, especially watching Jon Reis’ guitar work first hand and especially since I never caught Drive Jehu live, ever…at least I caught 50% of the band this time around.   It was nice to see and hear that the foursome doesn’t miss a beat after a 12 year hiatus. Song’s like “I Need A Doctor” “Why Don’t It Sink In” proves this garage punk onslaught is all that, where its at and then some.

 

 

Buffalo Tom – Quiet and Peace (Schoolkids Records) – My Bean Town heroes return with a solidly mature release this year. When once they sang about feeling old and out of place in such classics as “Taillights Fade” and “I’m Allowed”, now they are older and reflecting on such topics as mortality and lost time in their latest effort.  The opening track, “All Be Gone” quickly proves the trio still have some gusto left under their hood.  For the “Colbourn disciples,” the bassist offers his best song yet with “Roman Cars.”  “Freckles” starts out simmering before kettle whistling to a wall of sound finale while “Slow Down” beautifully reeks of Brit-Pop lyrical positivity.

 

 

Turnstile – Time & Space (Roadrunner Records) – Despite the critics, purists, and haters (largely due to major label sellout charges), this latest release from the Baltimore fivesome is 25 minutes of pure hardcore bliss plus.  It’s the same formula heard on 2016’s Non-Stop Feeling and then some.  I hear straight up hardcore, I hear Jane’s Addiction/Perry Farrell vocals,   I hear pianos, I hear rhythmic claps, I hear metal guitar solo flirtations among all the awesome grooving breakdowns.   I hear a band among a few, brave others (Title Fight, Drug Church)  that has the balls to take the easily overplayed genre to new extremes other than the flogged horse Hate Breed/Earth Crisis route.  I finally caught them live at this year’s ‘Tid The Season event in Buffalo, NY and they blew my world up.  Fuck  listing standout songs, listen to the entire record…its that good.

 

 

Eminem – Kamikaze (Aftermath Entertainment/Interscope Records/Shady Records) – I don’t really care for modern age rap/hip hop, always stuck in the past with my Beastie Boys, Wu-Tang Clan, BDP and Public Enemy records, to name a few.  Except for a song here and there, I wasn’t even a big Eminem fan back in the day.   But when the 8 Mile rapper surprised the universe and dropped his 10th studio album this past summer, I was mesmerized from the very first sample of the opening track, “The Ringer.”  An “epic fail” one critic said?  Please, anything but in a world of second rate hip hop garbage offered by the bad joke, Machine Gun Kelly (sit down kid, you are no match) and many others.  From the jaw-dropping, bombastic, shit talking precision of Eminem insane tongue-twisting rhymes magically captured by the Jedi-Knight producing skills of Dr. Dre, to the Licensed To Ill shout out album cover, Eminem is back, pissed and setting shit straight.

Brian Fallon – Sleepwalkers (Island Records) – Ex-Gaslight Anthem front man returns with his sophomore solo effort, picking up where 2016’s Painkillers ends.  With his latest release, we find Fallon continually getting his Bruce on, toying with the RnR sounds that once crackled out of the jukeboxes or classic car radios of  50/60s  yesterday and finding the balance between familiarity and refreshing.  Ironically, Sleepwalkers is a perfect record to catch summer rays to on a Jersey shoreline, especially Asbury Park.     Some standout tracks include “Forget Me Not”, “Little Nightmares” and “Etta James.”

 

 

Green Dragon -S/T- Straight out of my adopted hometown, Maplewood, NJ’s Green Dragon plays heavy, fuzzed out, groove music with Black Sabbath, MotorheadHendrix and even early  SST Records era St. Vitus influences heavily sprinkled throughout.  Some call it “psych-rock” which to me is acceptable but I refuse to define it as Doom/Stoner Metal because both terms are fucking stupid and I don’t even know what it means and no, I wont look up how they are defined.  The foursome’s 6 song release is an absolute treat from start to finish, teasing my inner moshing inclinations throughout and has given me that extra umph at the gym or on a run when needed.  My go to tracks are “Poison Finger” and “Eternal Pyre” and Full Moon” but the entire album is  solid.

 

The Messthetics -S/T (Dischord Records)-Take 50% of DC post hardcore legends Fugazi and throw in some mysterious dude on guitar and this trio plays some serious  surfy punky, garagy, progy, jazzy, gazy instrumental rock and boy it is some good shit.  The band released their first full length album on the famously historic DC hardcore punk label staple, Dischord Records. Nine songs of pure, balls to the walls  jamming.  I personally enjoy such tracks as “Quantum Path” and “Serpent Tongue” but there are no losing cuts on this album.

 

Allied Chemical – This Isn’t Working Out Maplewood NJ’s indie rock wizards, Allied Chemical, wasted no time following up on their solid 2017 release, Sword Soup, with this 11 song indie pop treat.  This a trio that truly likes to have fun and refuses to take themselves too seriously and it’s great to hear other members taking on vocals, especially  bassist, Jonathan “Cubic Zirconium, IV” Bloom.   Track favs include “Leavin”, “Fence” and the very interestingly intriguing “Be Right Here.”

 

 

Beach Rats – Wasted Time (Bridge Nine Records) – what happens when a Washington, DC hardcore legend move to Asbury Park, NJ?  Well in the case of guitarist Brian Baker (Minor Threat, Dag Nasty, Bad Religion), he rounds up a superstar lineup of members in Lifetime and The Bouncing Souls and starts a band.   This  5 song EP offers a fun, straight ahead, no frills, melodically uplifting hardcore.    My personal favorite track, “Stay the Night” sounds like it fell off the back of the Lifetime truck.  Other standouts include opener “Lonely For The Night” and the 7 Seconds sounding title ode, “Skin, Brains, And Dubs.”  A wandering Soul in Buffalo, NY  recently informed me that a full album is in the works….awesome.

 

 

Forevers –Between the Banners, Beneath The Floors (Dadstache Records)) Rochester, NY’s Indie rock pop superstars,  Forevers quickly return with this new release even while still enjoying the residual high off their 2017 ep release, Cotton Thrones.  A smorgasbord of influences can be found  From The Replacements to Guided By Voices the Hold Steady to even, may I dare say it, Third Eye Blind).  Tracks like “Wait It Out” ‘Plastic Room” and “Why Do You Do The Things You Do” are my favorites.  I have also included the video to their first released single “ Mattress” because it is so gosh darn cute!

 

 

 

 

Vault – S/T – Members of Avail and Snapcase and Windham converge to Staunton, Virginia to produce 6 songs/22 minutes of heavy, fuzzed out psych-rock to relish, savor and enjoy.  Right out of the starting gate with “Hatchet”, this five piece means business, with consistent pummeling rhythm, engrossing hooks and  kaleidoscopic vocals that don’t let up for a breather until 4 songs in with the acoustic-tinged and melodious “Memorial Machine” before picking up tsunami strength once again with “Blindfold”.   I am not alone in expecting big things from this project in the future.   (Bandcamp:https://vault3.bandcamp.com/releases)

 

 

Dot Dash –  Proto Retro (The Beautiful Music) – DC punk scene veterans reduced headcount by one since their last recording (2016’s Searchlights) but still remain as full and tight as ever with their melodic and punky, jangly pop offerings. The trio continue to pump out the jams with these 12 songs.  Many killer tunes to be found here and I personally enjoy “Tamed a Wild Beast”  with it’s very early New Order feel.  Other feel good hits include “Unfair Weather” and ‘World’s Last Payphone.”

 

 

Sick of It All – Wake the Sleeping Dragon! (Fat Wreck Chords) – I was re-introduced to SOIA lead singer Lou Koller at a recent local Dag Nasty show.   The last I met him was 30 years ago, stumbling on him gargling his throat with salt water in the Syracuse, NY Lost Horizon’s men’s room.  I was quickly reminded in 2018 how funny he is as he explained in a precise, stand up comedian kind of way, how he sang about every topic ever twenty times over and new lyrical topics was a present challenge for the new, forthcoming album.  Well the band earns a gold star for their achievements as the NYHC heroes return with a solid release looking to kick you repeatedly in the crotch from start to finish.  Judging by the funny song titles (“Beef Between Vegans”, “Self-Important Shithead” and  “That Crazy White Boy Shit” – the last song being an ode to the legendary Bad Brains), the Alleyway Crew still have a bone to pick, but not taking  themselves to seriously doing so.

 

Drug Church – Cheer (Pure Noise Records)– My first hardcore scene ever was in Albany, NY, catching many shows there long ago and catching many NYHC bands driving up the NYS Thruway to play shows in the capital city every other weekend.  While “my” venues like 288 Lark, Hibernian Hall and South Dove Street and local bands like Wolfpack, No Outlet, Cranial Abuse and Substance are no longer around and many scenes subsequently followed, it is still very satisfying to witness an “Al”bany band making international waves  while defying the rules and pushing what’s acceptable in a predictably metal-saturated scene, similar to their comrades in Turnstile and Title Fight, with their perfect blend of hardcore and 90’s alternative nostalgia .  Too many good tracks on this latest release but “Weed Pin”, “Strong References” “Unlicensed Guidance Counselor” and “Avoidarama” quickly come to mind.

 

John Coltrane-1963: New Directions/Both Directions at Once: The Lost Album (Impulse!)– 2018 was a big year for the American saxophone jazz legend who passed away over 50 years ago, at only 40 years of age.  The former recording showcases the artist’s busy recording year in 1963 just before discovering free/acid jazz (yuck, my least favorite era of his – blame it on the Trane and his love for ‘caine?) while the latter’s copy of the Master  recordings “found” with Coltrane’s wife (the originals destroyed by the record company to free up storage space!!) and finally released. Both offerings are fantastic and a perfect soundtrack to the hustle n’ bustle of NYC. I admit I don’t listen to a much jazz as I use too (which my wife likes to remind me noticeably a lot) but such releases remind me a glorious age the American bebop/hard bop era truly is and why I should be listening more again.

 

Tuffy – Lighting Things On Fire (BF Collective) – Brooklyn power trio Tuffy setting the planet ablaze with 15 songs of witty, indie pop brilliance. Front-woman, Yasmin Dalisay will coquettishly enrapture you were Tanya Donelly-ish vocals.  The title track and “Into the Mouth of Everything” are just a few tunes that keeps my broken ears happy and my foot tapping.

 

 

Verbal Assault – The Trial Reissue (Atomic Action)– when originally released 31 years ago by this Providence, RI band, this album changed the face of hardcore in so many ways and has stood the test of time mostly, at least for me,  because it was such a vast improvement over the bands first release just a year prior on 1986’s Learn.  All the tracks were re-mastered but in my opinion, didn’t need to be as lead singer’s Christopher Jones’ 10 second vocal hang in the opening track (starting at the 1:42  mark: ) still gives me goosebumps, while the guitar work throughout is still both spearheading and avant garde for a hardcore release from so long ago, even without the piano in “Scared”.

 

 

 

Terror – Total Retaliation (Pure Noise Records) – Buffalo native Scott Vogel (Buried Alive, Despair, Slugfest, World Be Free) and team sizzle up 13 songs of brutal hardcore straight outta Los Angeles.  After 16 years the band still sounds urgent, aggressive and energized with breakdowns that gets you through a frustrating day or challenging workout.  “Get Off My Back” ‘Mental Demolition” and “One More Enemy” pack some serious kick to the nuts.

 

Sleep – The Sciences (Third Man Records) – After 15 years, this San Jose, CA Doom Metal trio return with this 6 song EP.   While I suffer a serious case of “jellobiafaraitis” when it comes to the vocals, the heavy, fuzzed out sludgy music makes up for the former’s shortcomings.  “Marijuanaut’s Theme” and “Sonic Titan” catch my fancy.

 

 

No Sleep – Bring the Light (Reaper Records) – Since we are on the topic of sleep, Hardcore vocalist legend, Dave Smalley ( Dag Nasty, DYS, Down By Law, ALL) leads this Washington DC/Harrisburg, PA melodic hardcore outfit. These 3 songs have a real late Dag Nasty Field Day or even Minority of One release feel.  Looking forward to more offerings by this band.

 

Finally, hats off to New Jersey’ indie rock darlings The Brixton Riot for doing a killer cover of Echo and the Bunnymen’s “Bring on the Dancing Horses” for Mint 400’s At The Movies compilation.  The band managed to keep true to the original while adding their own unique flare and I can’t think of anyone other than vocalist-guitarist Jerry Lardieri’s that can vocally knock this song out of the ball park.  And boy did he…..

Even the video has a cool, nostalgic 80’s vibe and is also gosh darn cute….Beautifully done boys. xo

 

 

EDITED TO ADD:  Of course something is always overlooked…..how did I ever forget Weezer’s insanely good cover of Toto’s 1982 hit, “Africa”?

 

 

Until we meet again…..xo

 

I Came Undone In This City.  I Blame It On the Restaurants. But It Was Probably The Drugs.

I Came Undone In This City. I Blame It On the Restaurants. But It Was Probably The Drugs.

Except for some Mogwai and Explosions In the Sky, I typically don’t gravitate toward vocal-less, jammy music. but the times, they are a changin’….

 

 

 

Take 50% of DC post hardcore legends Fugazi found in the form of bassist Joe Lally and drummer Brendan Canty, throw in some mysterious dude (at least to me) in the shape of Anthony Pirog.  Mixed together, this trio plays some serious Hendrix-ish, surf punky, garage rock as The Messthetics who just released their first full length album, interestingly enough, on the famously historic DC hardcore punk label staple, Dischord Records. Nine songs of pure, balls to the walls  jamming.  I personally enjoy such tracks as “Quantum Path” and “Serpent Tongue.”

 

 

And then you have the 2/3 post-hardcore super group High Disciple, consisting of drummer Christopher Daly (Texas Is the Reason, 108, Jets to Brazil, Resurrection),  Scott St. Hilaire (Lifetime, The Fire Still Burns) along with Larry DiGiovanni of Dub For Light fame, offering 5 star, Class A, space dub reggae music for your listening pleasure. The music remains consistently super chill and relaxed, so whether you walking down a NYC street enjoying a Starbucks unsweetened black or green iced tea, clearing the house gutters of leaves, or even getting lost while hiking in Acadia National Park  in Maine recently, these 6 songs will provide balance, serenity and a perfect soundtrack to our otherwise bland existence.  Digging such cuts as “Tranquility” and “Gate Crasher.”

 

 

And because of this latest interest in instrumentally jammy music, I sought out the 2012 Heavy Blanket self-titled album to blow the dust off and give it a better listen since I have unfairly not done so in the past. This trio is a project by none other than guitar Jedi Knight and demi-god, J. Mascis of Dinosaur Jr., two high school friends and a crazy back story of Tuba pot smoking, counterfeit money, jail and revenge on Pearl Jam.   While the funny back story may most likely bullshit, the music isn’t with J’s signature Big Muff’ed licks clearly and evidently present.  Check out such songs as “Dr. Marten Blues” and “Spit in the Eye.”

Oh what else…..oh yeah, The Menzingers recently released a new single, “Toy Soldier”. Though not as solid as many of other their many other kick ass songs (seems a little rushed and awkwardly disjointed at times), still decent enough…

 

And then Beantown Hardcore kings,  Slapshot,  just released a new record, Make America Hate Again. No surprises here with Choke and Co. and that is sometimes a good thing. Straightforward, in your face hardcore brutality you expect from the band. Decent release but must admit I gravitate towards their 2014 self titled release more.  Check out the song “Edge Break Your Face.”

 

 

And speaking of hardcore, been deeply intrigued by the latest release by NYHC heavyweights, Burn, entitled Do or Die (2017). Since their self titled release on Revelation Records, I was always attracted to this band because of their unique approach to an easily played out genre. When you mix Guitarist Gavin Van Vlack’s  avante guard, pedal heavy riffs with Chaka Malik’s off-kilter but still balanced singing approach proves to be a lethal combination. Release that concoction into an energetic live setting, you may want to take out extra liability insurance because trust me, the venue with catch fire and….well…burn to the fucking ground.  Songs like “Fate” and album title track are just two of many gems.

 

And to end things Hardcore, I tend to seek out LA Hardcore royalty, Strife’s live release from their 2017 sold out Troubadour show in LA . Though the band being over the whole straight edge thing, this record is a fantastic capture of the band, playing classic songs throughout their hefty discography.  Killer live tracks of “Blistered” and “Through and Through” can be found here among many others.

 

 

Oh wait, one more thing hardcore….the latest Turnstile album, Time & Space (2017), was brought to my attention via a friend’s text while driving back from Boston/PAX East 2018 with my now 14 yo earlier this year.  “Dude check this song “Generator”  out” immediately turned into me checking out the entire album multiple times on the drive home to Jersey. T&S is 25 minutes of pure, serious punk rock perfection without taking itself too seriously.  I hear a lot of other influences buried in the music, especially Perry Farrell (Jane’s Addiction, Porno for Pyros) inspired vocals. This Baltimore suburban outfit was on my friend’s upstate NY label, Reaper Records before jumping to the “majors” (Roadrunner) where the didn’t really do much for me, but now due to the latest record, they do a lot!

 

An unfortunate reality for many opening bands is that they rarely catch our attention which is highly unfair to them because we are all so selfishly focused on seeing the main act. All this changed when I caught Oakland’s Feral Ohms catching my otherwise ODD-tinged attention, opening up for the Hot Snakes at San Francisco’s hottest new club, The August this past May when work brought me to nearby Sacramento. The band name is very fitting as this trio spit out song after song of rabid, eardrum damaging, rock n roll – just how I like it!  If tracks “Love Damage” “Living Junkyard” don’t do it for you then….oh I don’t know….

 

And don’t get me started on San Diego’s Hot Snakes because I just wont shut the fuck up since they my latest musical obsession at the moment. Not only does their recent release, Jericho Sirens, continue to blow my mind, but their live shows are a life changing experience.  The intensity the band belts out on stage is aptly described as “post hardcore garage rock” and is immeasurably, well…INTENSE…the only word I can use to describe this four piece outfit whose members played in other boastful west coast acts like Drive Like Jehu, Night Marchers, Rocket from the Crypt, etc.  An added bonus is college pal Jason Kourkounis drums for this lethal foursome.  Watching “Jay” play that night in San Fran brought all those Buffalo basement shows memories quickly back….sigh.

 

 

Finally, Rochester, NY’s Indie rock pop superstars,  Forevers, quickly return with their first full length release, Between the Banners, Beneath The Floors (2018), even while still enjoying the residual high off their 2017 ep release, Cotton Thrones that made my same year “best of” list. Think The Replacements. Think the Afghan Wigs meets Guided By Voices with a sprinkle of lyrical witticism a la Hold Steady and even U2 in the mix.  And may I dare suggest one of my guilty pleasures, Third Eye Blind is also lurking in their musical shadows when I hear David Baumgartner (also of Muler), Nick Walter  Chris Reeg and Darren Dewispelaere  latest collected, impressive efforts?  I also hear a band who really, really like their Moog and puts it to the test.  Tracks “Wait It Out”, and first released single “ Mattress” are just a few of standouts.  The band’s latest offerings is not yet offered in digital media format but you can find (and buy) taste samples right here…. https://forevers1.bandcamp.com/releases

See my Spotify playlist below trying to capture as much music mentioned above as possible.

Until next time….xo

PJH

 

14 in 2014 (all in time for holiday shopping)

14 in 2014 (all in time for holiday shopping)

I always look forward to annual “best of” music list that begin popping up every year when the cold weather arrives.  It is fascinating who thinks what is the hottest fucking music out there each year.  Two thousand fourteen is no different.

And since I am kneeling in the musical confessional booth, I must fess up I am constantly stuck somewhere between 1982-1999 when it comes to my musical listening, but somehow, in some miraculous way I do manage to stumble across “new bands” worth listening to, though few and far between.

Some 2014 results make sense (the new Hold Steady and Tom Petty) while others don’t (am I the only one who doesn’t understand the big deal behind The War Against Drugs or Sun Kil Moon?).  And some are just plain fucking bullshit (the new U2 #1 Rolling Stone?  How much is the band paying you to make such a claim??).  And don’t even get me started on the Foo Fighter’s, Sonic Highways…except that is basically a bunch of medicore, over-produced shit….see what you made me did now??

Anyways, fuck it…here it goes…my best of 2014  (in no particular order)….ta da!!

  1. The Temples – Sun Structures : some of the best psych-pop out of the UK in years per Johnny Marr, Noel Gallagher and now me.  If the opening tracks “Shelter Song” or “Sun Structures” doesn’t make your booty move then you are just lame.  They are also, importantly, one of the coolest look bands on the planet.

https://www.youtube.com/watch?v=QCxao4jFLHI

2.  Interpol – El Pintor: after 2010’s disastrously forgettable self-titled album, the NYC post-punk darlings are back in full form.  While Kessler’s guitar playing gets a little tedious at times, El Pintor is still a great bunch of tunes that blend in well with earlier material.  They too are one of the coolest looking (and best dressed bands) on the planet.  Yes, I like cool looking bands.

https://www.youtube.com/watch?v=m05f7Fsgv_s

3. Overlake Sighs: said it all right here months back.  Still in super heavy rotation in my life.  The track “Our Sky” is one of the best songs ever written with a breakdown bridge starting at the 2:05 mark that will knock you on your ass.

4. The Gaslight Anthem – Get HurtRead this.  Probably their weakest album, but that is what is what makes it so endearingly intriguing.  The song “Dark Places” shatters my heart every time, especially after a couple of glasses of wine.

5. Life Eaters – Self Titled : Confession?  I only heard this debut record from this Jersey City group for the first time mere days ago, but it has been kicking me in the nuts ever since.  An extremely strong effort from start to finish.  The track “Man Pain”, is just absolutely killer.  If you don’t like it then guess what…yup, you lame.

6. The Hold Steady – Dream Teeth: A “typical” and “safe” Hold Steady album, but if you dip beneath the surface you will find a solid effort with all the stories, drugs, hardcore matinees and Jesus Christ references still intact.  At first listen, I was disappointed but the tracks grew on me tremendously to the point of becoming one of the year’s best.  I must admit I find the overall recording very weak (lacking ball crushing “umph” of 2008’s Stay Positive…so much guitar punch)but just listen beyond that….songs “Spinners” and “Big Cig” are two of many standout tracks.

I always enjoyed this short trailer for Dream Teeth , it captures the full essence of the album….

7. Miss Ohio – Whippoorwill Road:“delivering a perfect blend of power pop melody and guitar rock grit, with 5 songs that will no doubt make my personal best of 2014 release list” as I previously stated here and here and here!  and guess what, it did!  Besides they re-recorded my favorite song from them (“KGB”) so that is all that fucking matters…well unless they re-record “Picture Show…” (hint hint)….here is a funny video for another great gem off the record, “Bobby Fischer…”

 

8. Tom Petty & The Heartbreakers – Hypnotic Eye:  Tom and his heartbreaking team started a bar brawl, kicking everyone’s ass with this garage punk instant classic.

 

9. Big Ups – Eighteen Hours of Static This Brooklyn-based band plays punk/noise rock that torpedoes Fucked Up right out of the tub.  I hear me some Fugazi…Descendants?  Maybe even some Slint….may I dare mention later Black Flag or even Flipper? Their sounds is something so familiar that I still can’t define it and that is why they fucking rock and can’t stop listening to this album.  If you don’t like the 2 opening tracks (“Body Parts” and “Goes Black”) then you are….guess?

10. Johnny Marr – Playland :  Because it’s Johnny FUCKING Marr, yo……duh.

11. Real Estate – Atlas: A hearty blend of hypnotic, mellow, reverby poppy rock from Brooklyn, Atlas picks up where 2011’s Days paused.  A perfect background soundtrack for those long drives, house cleanings or annual best of  writings.

https://www.youtube.com/watch?v=GP9XEcOtjbc

12. Thurston Moore – The Best Day: Back to his true form from 2013’s quasi-metal project, Chelsea Light Moving, The Best Day is his 4th solo effort and 1st since his highly visible divorce from Kim Gordon.   This album is very East Village, very “safe” (read: Sonic Youth) and very wonderful.  Moore continues to rock out in his own alternately tuned, droning , cool cat, hipster, subdued Neil Young  kind of way.  “Forevermore” and album title track are just 2 of many treats found here.  Besides, its Thurston fucking Moore…duh.

 

13.  We Were Promised Jetpacks- Unravelling :  These Scots quickly  remind us why 2009’s These Four Walls and 2011’s In The Pit of the Stomach are constantly listened to over and over as they continue to carry the post punk meets indie pop torch with this latest release.  Saw these cats live at NYC’s Webster Hall a few weeks back and they blew everyone away. Tracks “Safety in Numbers” and “Peaks and Troughs” are just two of many great songs.

14. Eastern Anchors-Dragging Your Axe Behind: I know I said a random list, but I also did save the best news for last.  Set to be released later this month, if 2012’s Drunken Arts And Pure Science have you begging for more and if you thought the first single “Above Your Station” off their latest EP kicked ass, wait until you hear the other 6 songs.  Oh boy……strap on in and wear a cup kiddies….

 

 

Deer Tick Vs. a recovering America in Divine Providence

Deer Tick Vs. a recovering America in Divine Providence

Deer Tick

photo by Scott Alario


ALBUM REVIEW: Somewhere in-between a white trash hero and flippant grandpa boy is what indie folkster John McCauley has been repainting. Deer Tick is the story of American Gothic recovering from a binge. If the Deervana stunt is any evidence. He’s literally wearing and proud of his choice of flannel rock. I’ve always been a fan of the music coming out of Providence RI, it’s always a little dark and pleasantly seedy. I think they have more Go Go Bars per square mile in their city limits juxtaposed against the art school RISD. Of course right? So is the album title Divine Providence ironic? Facial hair management may not have something to do with this combo but this band has soul and in the end it’s a simple formula. This music is the kind of thing that happens in Edge City’s like Providence, RI.

“We’re fucking men but we act like kids, We’ll Face the music next time we roll-in” – The Bump

Deer Tick Divine Providence Album ReviewThe rock meter on this record falls somewhere in the neighborhood of The Hold Steady side of a true american bar bands and les affaire back porch of Uncle Tupelo. No flash. No real Posers. No bullshit. The exit sign here always flickers and welcomes you in. These tunes squeak authentically which at times means it’s sloppy and purposely under produced giving it that twinkle of drunken hopeless charm. Leading-off with “The Bump” it reminds me of some juke joint where PBR is the top shelf and there are no labels on the vodka you recognize but there are plenty of badly cut trucker rails being shared in the bathroom. I’ve been to this bar akin to something like The Plumb St pub in New Brunswick NJ that closes at 4am and opens at 6am for the knight workers. I don’t really want to go back but I’m glad these guys are telling me about it again. Somebody needs to experience the night ending with the sun coming up when everything looks blurry but I don’t need my eyes to hear that. The music’s all right here.

Baltimore Blues No. 1 MP3 by Deer Tick from War Elephant (2008)

Something about that sound man:
Hot Soft Light MP3 by The Hold Steady from Boys and Girls in America (2006)
Whiskey Bottle (live Acoustic) MP3 by Uncle Tupelo from No Depression (1990)
Drug Train MP3 by Social Distortion s/t (1990)
Can’t Hardly Wait (Tim Version) MP3 by The Placements from Tim (1988)

Lucky 13 of the Best Albums of 2010 – Part I

Lucky 13 of the Best Albums of 2010 – Part I

Welcome, here’s the first 7 of my best of lucky 13 albums for 2010. I’m breaking it up so you get a chance to listen to this first batch. Lots of albums will be in a different list all their own like No Age, She & Him II, and Superchunk just to keep you guessing. Although great bands they did not make it to this particular list. Here’s the review stalker guidelines for selecting this years list. Pretty general stuff but anyway. Enjoy!
Rule: 1 Don’t stick to any one sub-genre if you can help it although you like what you like.
Rule: 2 These are albums not hit songs or singles although a good album has stand-out tracks it needs songs around them that make sense so the record needs to gel from the beginning to end. One song does not an album make unless it’s a amazing song.
Rule: 3 Just because a band made great record in the past doesn’t automatically qualify them. Although if it’s kind to your ears for reason you can’t explain put it on the list!
Rule: 4 These are not Grammys so don’t make obvious choices mix and shake it up some variety. Not even easy as a guideline unless it’s a specific black metal list.
Rule: 5 Listen with your ears on and check out these songs if you’re not familiar with them already. Make a mix and share it with your friends. Then go support the bands you like and buy their music you cheap ass. That’s the point.

The Soft Pack

The Soft Pack via Kemado Records

13) The Soft PackSelf Titled
This band used to be called The Muslims and not sure why they changed their name to something more PC. Sort of lame but whatever. My friend Albie turned me on to them and just based on this song alone they made it to my best of list. I don’t know a whole hell of a lot about them other than they know how to compose a good rock song or two. See I’m breaking my own rules already.
Listen: Download MP3: C’Mon [Buy]

The Hold Steady

The Hold Steady - Heaven is Whenever


12) The Hold SteadyHeaven Is Whenever
This is their Let it Bleed. This is band knows how to lay it down and are relentless despite the departure of their keyboard player, the rhythm section, the solos are right in the sweet spot, and big rock ideals make every track a keeper. Singing songs about girls and drinking doesn’t get any better than this. Shit there are only four chords anyway.
Listen: The Weekenders MP3 [Buy]

Nada Surf if I had a hi-fi

Nada Surf - If I Had a Hi-Fi


11) Nada SurfIf I Had A Hi-Fi
This is a cover Album. Wait what? Yeah and you know what it’s awesome all the way through. Every song sounds like it could be a Nada Surf song. They are songs that have inspired them or they inspired it seems to me. It’s confusing but hot damn they do everything justice. It’s a first here for sure. Here’s our review with all the original versions of the songs(almost).

Listen: Electrocution MP3 [Buy]

Black Angels Phospene Dream

The Black Angels - Phospene Dream


10) The Black AngelsPhosphene Dream
Psychedelic or Psych or voodoo rock. This record is huge. The sound track for a all out acid war. Picture tar pits burning and people running around naked like a scene out of True Blood. That’s track 1 and it just gets wilder from there. These are images this music conjures up. A little Jim Morrison a little led zeppelin. This stuff is huge and simple at the same time.
Listen: Telephone MP3 [Buy]

The Fall

The Fall - Your Future Our Clutter


9) The Fall Your Future Our Clutter
Mark E. Smith is the grand creator of alternative punk among the best of the . A constant artist who keeps moving The Fall’s music even it should not be moved. His place in history was chiseled and yet he chooses to take the same old atonal ingredients using keyboards, drums, and bass bulldoze over his own castle and fill it with more crazy moaning alchemy. Great noise.
Listen: Hot Cake [Buy]

Sweet Apple

Sweet Apple Love & Desperation


8 ) Sweet AppleLove & Desperation
Lots of big rock jams on here of the kind pot smoking variety. Another big rock entry on this best of list. Besides the fact it has variable rock star weight this is great. That’s all.
Listen: Flying Up A Mountain MP3 [Buy]

Black Rebel Motorcycle Club - Beat The Devil's Tattoo


7)Black Rebel Motorcycle ClubBeat The Devil’s Tattoo
This is southern black magic. This shit rocks hard and is relentlessly distorted with creepy church organs. I like them so much because they remind of the american version of The Jesus and Mary Chain sometimes. All the guitars sound great and fills a huge space.
Listen: Beat The Devil’s Tattoo MP3 [Buy]

More tomorrow.