Sooo, what have I been listening to as of late…..?
Well, for starters and definitely a no-brainer, I have been gobbling up the new Buffalo Tom release, Quiet and Peace by the plateful. Released as an early present on Christmas Eve 2017 to all those Pledge Music band donatees and finally released to the masses earlier this month with some extra bonus tracks, my Boston heroes have proven once again that they still have a lot of shake left in their tush with this solid release. Such stand out tracks like “All Be Gone”, the Big-Star-ish flirtations of “Roman Cars”, “Freckles” to 1998’s Smitten feel of “Least That We Can Do” and the Brit-Pop lyrical positivity of “Slow Down”, there are many great tunes to be found here that blend well with the rest of their discography. My pal Jerry Lardieri of NJ sensation The Brixton Riot is going to guest spot a more in depth review of album in the near future (right Jerr?).
So what else, oh….been becoming re-acquainted with Memphis, Tennessee’s “alt-country” kings, Lucero, especially since missing a recent acoustic gig by front-man Ben Nichols at Garwood, NJ’s Crossroads recently. I find myself returning to such great records as 2009’s 1372 Overton Park and 2002’s Tennesseemore often.
Also lately (re-) discovering Gainesville, Fla. punk-n-roll heroes, Hot Water Music in a major way. Heard a lot about them over the years and took a dive with their album A Flight and a Crash (2001) back in the day , which in hindsight, was the wrong place to start. After multiple false starts, I hastily and unfairly chalked up the band as meh and moved along. And then with a lot of nudging from Snapcase front man Daryl Taberski, I slowly discovered the absolute beauty the band has to offer with such records as Caution(2002), No Division (1999) and their first release Finding the Rhythms(1995), which kicked my ass upon first listen on a 7 mile weekend run. Their latest offering, Light It Up (2017) rocks and they even release a couple of awesome live albums (Chicago and at their hometown Hardback Cafe) the same year. Not sure what took so long but I am now an official convert!
Unfortunately The latest Superchunk, What A Time To Be Alive (2018) is predictable, quick and uneventful, at least for me. Some songs like “Lost My Brain” and title track aren’t too shabby, but I’ll take Foolish (1994), And Here’s Where the Strings Come In (1995), even Majesty Shredding (2010) over this new offering.
The latest offering by ex-Gaslight Anthem front-man Brian Fallon, Sleepwalkers (2018), is pretty decent. The three singles released up to the album debut, “Forget Me Not,” See You On the Side” and “If Your Prayers Don’t Get To Heaven,” all solidly rock, but other tracks like “Etta James”, “Little Nightmares” and “Her Majesty’s Service”, to name just a few, all hold their weight. Fallon sounds much more comfortable and confident with this sophomore effort when compared to his premier solo efforts Painkillers(2016), which is a great album, but does sound like he is trying to find his footing at times.
Tripped over a cool Spotify Sessions with Weezer playing a number of acoustic tracks that span their career. After last years disastrous release, Pacific Daydream, it is refreshing to hear their old songs stripped down. I love the band best when they stop trying so hard to not take themselves seriously.
Also rocking out to The Bouncing Souls a lot these days and good timing with the recent acoustic set announced at Crossroads recently. This awesome club just 15 minutes from my house is having a lot a great shows lately….Dag Nasty (with Shawn on vocals) is coming up on March with three nights with The Menzingers a few weeks ago…with more punk-based shows to come!
I am sure this going to sound very “America-centric” but when I think of straight edge, posi-core bands the last place I tend to think is well….nowhere else on the planet except for the USA, which is clearly my bad. But the genre is internationally alive and kicking and in full force, especially in the UK and especially in cities like Manchester where bands like The Smiths, Oasis, Joy Division and The Stone Roses come to mind but not bands like Insist. Such bands are bringing back the posi-core sound of 80’s and 90’s which is definitely a breath of fresh air with so many American bands beating the dead Hate Breed horse to death with the dark, metallic flirtations and modulated vocals, all while draped in black clothing.
Not that metallic hardcore is bad, in fact I recently discovered Brooklyn’s Incendiary with their latest release Thousand Mile Stare which has very in your face Inside out/Rage Against the Machine groove/vocal metallic vibe.
Speaking of new bands that are replicating the awesome sounds of yesterday, Los Angeles’ Fireburn is another “Super Group” and the legendary Bad Brains reincarnate for a new generation of kids with their hardcore punk/reggae dub sound. But despite the glaring similarities, the former still refreshingly rock.
I also finally got around to listening to the band Bane (I know, weird right?) and love their debut record, 1998’s Holding This Moment.
One band/album that I always missed and could never find for years is BL’AST “In My Blood” (1987) which use to kick me square in the balls every time my younger self listened to it. It sounded so later Black Flag-ish too the point that Henry Rollins and Greg Ginn allegedly hated them so much that the latter still released iton the infamous hot mess label, SST Records. Lo and Behold, it is apparently Dave Grohl’s (yeah, that fucker) favorite record too from back in the Scream days and he remixed it a few years ago, stripping it down to what BL’AST would sound (driving and loud) and releasing it under the name Blood!I may give Grohl shit but man, he and the band teamed up and nailed this project perfectly with this re-release. Check out this cool video of the project and original recording below.
My other pal, Mark Segal (of NJ powerhouse, Atom Driver ) turned me on to the Brooklyn punk sensation The Royal They with his own recent Reviewstalker.com review. Holy fuck moly this band is good and their latest release, Foreign Being has already made it on my top of 2018 list.
Finally, more Brooklyn bias as power duo Tuffy returns with another killer release, Lighting Things On Fire with 15 songs of witty, indie pop brilliance. Like her days of Bear Trap, I can listen to front woman’s Yasmin Dalisay sing soft and sultry all day….
Until next time, enjoy the Spotify Playlist below with songs from the bands above ! xoxo
Musically speaking, my head (and ears) can almost always be found back, oh, somewhere between 1977 and 1995.
But there will be times I am forced to surface into the present to catch some light and feed and in the process and some effort, stumble across some pretty awesome new music.
OK, fine, most of of my list consists of bands, or members that have been in other bands that have been around since 1977 or shortly thereafter….any further questions will require me to lawyer up.
I am sure I overlooked some bands…all I can say is whoops! I shudder over the thought of all the awesome music we fail to never hear or overlook in our short, brutish lives.
In no special order, I humbly present what caught my musical attention in 2017…Part 1 of (2)….and only 10 days into the new year, a big improvement from years past….
I also added a Spotify Playlist showcasing songs from each of the bands (all the way down…). I will update the playlist when part II of this series is released….
Enjoy like i know you will!
1. Dead Heavens- Whatever Witch You Are – Backed by a super group of musicians (Guitarist Paul Kostabi (White Zombie), Bassist Nathan Aguilar (Cults) and Drew Thomas (Bold, New Rising Sons, Into Another), NYHC legend Walter Schreifels (Gorilla Biscuits, Quicksand, Youth of Today, Rival Schools, Walking Concert, World’s Fastest Car, etc), discovers guitar effect pedals and gets on his 70’s psych garage rock on with this one of many fun projects. I caught an intimate, live show @ Garwood NJ’s Crossroads back in June and they blew everyone away! If you are having a “smoke on the water” nostalgia, check out their first full release.
2. Rancid – Trouble Maker –This Bay Area band has always been a hit or miss with me with nothing ever coming close to 1994’s Let’s Go and especially 1995’s And Out Comes the Wolves, but their latest release knocks it out of the punk rock park and restores my faith.
3. Buffalo Tom – Let Me Come Over (25th Anniversary)- although not my “go to” record, this nevertheless fantastic album put my power pop fuzz rock Gods on the map back in 1992. There is an equally fantastic 1992 University of London live set from included as an added bonus capturing the Boston trio’s golden age.
4. The Smiths – The Queen is Dead (Deluxe Addition)–my Mancunian Gods re-release a phenomenal album that NME claims is the top album release ever, packaged with a number of unreleased demos and live tracks that will keep the die-hards (like me) relishing.
5. The Brixton Riot – Close Counts – NJ power pop garage heroes return with a phenomenal release on constant spin in my life. Songs “Caroline”, “Maybe Tomorrow” and “Talk About Nothing” are just a few of the many standouts. Now I can take a break from listening (and requesting at shows) to “Pinwheel” off of 2012’s Palace Amusements….wait, what am I saying…..
6. Overlake – Fall – The NJ shoe-gaze trio powerhouse return with another solid release off the residual highs of 2014’s Sighs. “You Don’t Know Everything” and “Winter Is Why” simply slay it.
7. DC and the Desperados -Self Titled– The next big SOMA NJ sensation releases an ass-thumping, debut recording. With a Stones meets the Stone Roses/Bez-dancing, garage vibe (does that make sense?), songs like “JRZ PLTS” “Not Falling” and “Talking Shit” will keep your yoga-toned rump shaking.
8. The Menzingers – After the Party- Philly via Scranton, PA-based melodic punk and roll that I can’t get enough of. “Midwestern States” (one of my favorite songs of the year) and “Your Wild Heart”, “Black Mass”, “Lookers” are just some of the many gems found here.
9. TheForevers –Cotton Thrones –members of Rochester, NY’s power pop beauty Muler continues the loveliness with this latest head-turner of a project. Tunes like “Plum” and “Bloody Nose” are rocking.
10. Bloodclot- Up In Arms –NYHC legendary front man John Joseph’s and best release since the monumental Cro-Mags 1986 self-title released, offering 12 songs of pure metallic-hardcore punk that will heavily assist in any serious gym workout. Backed by another super group consisting of past members of Danzig, Queen of the Stone Age, Warzone, Glen Campbell, Agnostic Front and Motorhead, this band and album will seriously give you a serious case of ass whup.
11. The Replacements – For Sale –Twenty nine (29) live songs from a 1986 Maxwell’s (Hoboken NJ) set from the most famous Minneapolis quartet ever with Bobby (RIP) on guitar? Do I need to say more?
12. Cigarettes After Sex -self-titled – turned onto this group by a Chicago-based co-worker, this Brooklyn, NY band offers swirly, reverby low-fi ambient pop. Think a male vocal version of Mazzy Star. Perfect music to chill too.
13. Bash & Pop – Anything Could Happen – after a 24 year hiatus, the ‘Mats (in)famous bass player, Tommy Stinson returns with his kick ass bar band project.
14. The Jesus and Mary Chain-Damage & Joy – not as good as their 1985 self-titled release, 1987’s April Skies or 1989’s Automatic (all drum machines aside), but marks a decent return for the fuzz-drenched Reid brothers with songs blending in seamlessly with the classics.
15. Allied Chemical-Swordfish Soup –SOMA NJ rockers release a solid debut effort of eleven (11) witty, fuzz-pop gems a la Pixies. I can listen to songs “Sun-Filled Living Rooms” and the beautifully trombone-laced “Joey’s Place” on repeat for eternity.
16. Kite Fight –self titled-Three Buffalo, NY bred ladsform aPhilly, PA based band and take cues from the DC Dischord Records post-punk sound and Drive Like Jehu and tweak it into their own, refreshing formula with a two guitar, one drum set and no bass secret recipe. “Try Deny” is just one of my favorites off their debut 5 song EP release.
We love radio. We grew up on it and before there was the crazyness that is internet these days we relied on college radio that was located on the left of the dial. Here’s a few of Best New Podcasts and Radio shows based out of New Jersey and New York. I’m sure there are more so if you do a show and want to get listed just let us know and follow us on twitter and with the other facehookers. We’ll post a update.
AUDIBLE AFFECTS via WTSR by Jerry Lardieri
We love Jerry Lardieri’s taste in rocknroll music. We dig his band too The Brixton Riot. He’s only had a couple shows but so far he’s off to a roaring start. It’s a great way to spend a friday morning as he plays the very best new and old REAL alternative music has to offer all in one tight set of music. Dig it. Here’s his website and facebook
No Format Radio via WRSU by Jeff Wertz
Jeff used to do a show called Flexible Vinyl only show for years and years. He’s since passed the torche to Doug Vizium so the punk flame carries on. This is more free-format but well worth tunning in.
Keeping Score at home on WRPB by Jon Solomon
For folks who know any thing about the deep New Jersey music scene Jon is practically a house-hold name. Even on Christmas when he does a 24hr xmas show. He posts meticulous show notes about what songs he spins. Here’s his website to see waht I am talking about Follow him on twitter or better yet xatch him on Weds 7-10pm on WPRB.
Flexible Vinyl on WRSU by The Slugger
Ok while you won’t hear anything pre 1990 on this radio show and that is pushing it – don’t panic because the hour long show is a lesson in punk music. Shit if you heard of half the bands you’ll be way more punk than me. Seriously awesome show.
ALBUM REVIEW: Palace Amusements by The Brixton Riot on Modern Hymnal Records is a great throw-back to everything that is good about rock music that is missing these days from the island known as Brooklyn. These Jersey guys reminds us of the hooky parts of Jets to Brazil, Ted Leo RX and the more memorable parts of 70’s and 80’s jangly guitar punk. To help them celebrate this release you should get your ass down to Maxwells on Fri March 23rd where they will play with Lieder, Roadside Graves and yours truly Eastern Anchors for some rock schooling.
I’m not sure there is any irony in a song title like “Hipster Turns 30” when the lyrics sober you up and say ‘get a mortgage and buy a car’. In fact I’d venture to say it’s probably more fandom on the sleeve than anything else. Hard working musicians with 9-5’s doing what they must in order not to drown in the hum-drum doldrums of the working stiffs union. You can tell every note and tone here is plucked just in the right spot and amusement created out of passion. This kingdom of rock is held in the highest of regards like a well crafted champion beer with a pedigree of influences that lends itself to something so familiar you’ll be happy you visited.
These sounds remind me of that sound man: Morning New Disease MP3 by Jets To Brazil from Orange Rhyming Dictionary (1998) Sometimes MP3 by fIREHOSE from If’n (1987) Three Girl Rhumba MP3 by Wire from Pink Flag (1977) Love You More MP3 by The Buzzcocks from Singles Going Steady (1979)
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