God Bullies | REVIEW STALKER

Official Trailer: Amphetamine Reptile Records Documentary – The Color of Noise

by David | May 6, 2014 | Free Mp3s, grunge, Noise Rock

The Color of Noise – Third Man Record is going to premier the film by writer/director Eric Robel May 30th 2014 in Tennessee. The film has been in the works for over the past few years. In this documentary Robel interviews all of the bands that were on Tom Hazelmeyer’s record label Amphetamine Reptile Records(AMREP). These were mostly the bands that made the 1990’s notorious in a few small cirlces of fanzine, artists and record geek’s worlds like myself. Most of these bands never went on to do anything else except be on tour but one thing was certain they were all part of a gang that appreciated the same aesthetic sonically. There were many and I can say that The Research and Development picture disc series was an example of somebody with vision. Every 7″ was something you might find in a very twisted S&M gallery. Many underground artists before basement shows were a huge thing that you may have ever heard. Tom (HAZE XLL) had it under control and gladly put things out there in the hopes of grabbing your attention even if he never really was able to “cash-in”. DOPE-GUNS’N FUCKING IN THE STREETS 7″ compilation EP series was another of my favorite comps from this era of noise rock. You got a great bang for your buck. usually four bands and zero complaints. One’s you might have heard of like Mudhoney and rest were there laying to waste your turn-table for the afternoon. In this series there was always a simple illustration right smack in the middle of the custom typography were items like a used condom, needle or vibrator. All these Bands were part of this world that bands like Helmet and the Cows played. These were my go to bands to see play live at CBGB’s and other parts of NJ and NYC. If I didn’t know about them Tom made sure that 50 of us did so music by Tar, Janitor Joe, Unsane or Hammerhead had a small but loyal audiencee. A club within a club of punk because this music was not necessarily as popular as Nirvana got to be or would it ever become. It was dangerous and the poster Artwork for the show alone made it intriguing with guys like Derek Hess, Coop and Kozik. Album art produced by Hazelmeyer made the point clear this was something unique and a one time thing. You should proceed with caution while you blow your ear-drums out and annoy your neighbors but this is something that won’t ever be replicated – a close facsimile maybe. This type of music was an under appreciated sub-genre of grunge because what happened to grunge was a obmination compared to what it really was. Here’s the evidence.