When one thinks of math rock, one thinks of prog gone nuts. Skill typically outshines structure. Changes outweigh choruses. If you have heard Animals As Leaders, you know of what I write. Even bands like Fall of Troy, who tend to lean towards structure, because there are vocals, can get pretty tough on the old noodle. That is where Moreso’s first EP really stands out from the pack. Yes, they have complex riffs. Yes, they have the intricacy associated with math rock. However, their songs have definable and easily digestible patterns. Their songs have structure that allows even they lay person to follow the song’s musical journey without needing some Excedrin afterwards. It is why I would consider Moreso to be the perfect gateway drug into math rock.
The band is a three piece instrumental group. There is no doubt they can play. Could you imagine math rock otherwise? The strength lies, though, in their ability to make the sum greater than the parts. The guitar playing is fluid and flashy without being ostentatious. The drums are powerful without being confounding. The bass will lead support and counterpoint against the guitar for well-defined passages.
The 6-song EP starts strong right out the gate. Oil Spill is blistering with some of the cool single-string passages associated with Fall of Troy. The second song, Sewage Life, is another strong, fire-breather, with wonderful dissonant passages, reminiscent of Voivod. The next song, Shark Breath, has a tip-of-the-hat riff to Animals As Leaders. However, where I think Animals will go out too far, Moreso keeps the song solidly definable and comprehendible. The 4th track, From Gravel to Grass, probably my personal favorite, reminds me a little of some of the later Don Caballero material. After the first four intense tracks, the last two tracks settle in a little bit with Lavenclear and Little Ship. They are very lush and beautiful. It is easy to get lost in them. They’re almost meditative.
As this is Moreso’s freshman release, it is very exciting to hear what will be forthcoming. Be sure to check them out on their Bandcamp page or on Spotify.
Check them out live to see them do their thing. They are playing October 14th at Decicco’s Tavern in Raritan, NJ, with The Growling Hounds, Atom Driver, and Damage Done.
Also, here’s a video they posted from their recent outing at the Court Tavern.
Maplewood, NJ indie rock heroes Allied Chemical released a killer album,Sword Soup, earlier this year. Eleven (11) songs oozing of Pixie-ish overdrive pop that are a lot of fun and catchy. My fav songs are “Sun-Filled Living Room” and the trombone drenched “Joey’s Place.”…Jared Hart and The Scandals latest release, Lucky Sevens keeps the punk rock flowing and under heavy listening along with 2010’s The Sound of your Stereo…..I still can’t get enough of The Menzingers and can listen to their songs “Mid -Western States” and “Your Wild Years” (especially the latter with the Polish/Irish shout outs since I am of the same breed) forever and ever, both off their latest release After The Party…….. I just discovered the NJ punk driven rock of Bobby Mahoney and the Seventh Son, awesome stuff!.….Re-discovered Hot Water Music’sNo Division (1999) record. Songs like “Rooftops” “It’s Hard to Know and “At the End of the Gun” or just a few that I can never get enough of…Been listening to a lot of the Built to SpillLive (2000) record lately, a great collection of some of their earlier, catchiest songs with one of my favorite tunes, “The Plan”, starting things off. BTS are less “jammy” on this record compared to their live shows now that is subsequently attracting a lot of Phish shirt wearing types…. sigh. Keep returning to the first Glasvegas record and all its good songs…New Brunswick’s ska-punk sensations The Hub City Stompers recently caught my attention in a major way. Amazing stuff! I can listen to the songs “Chatterbox “and I’ve Got a Boot” for hours on repeat. Rancid’s brand spanking new release, Troublemaker, is very good which also dusted off their classic And Out Comes the Wolves (1995) as well. Too many great songs to list from both. Cringe all you want but sometimes I get my Grateful Dead on, shamelessly liking and revisiting a few of their songs once every 5 years for oh, 18 minutes. To make matters more interesting, my favorite Dead song is the one the “heads” hate the most (“Touch of Grey”). The song is too posi-core lyrically to ignore and too tempting to punk out and just might do so with one of my bands doing a cover one day…. Consistently listening to Joe Strummer and the Mescalero’s’Streetcore (2003) lately. Enough said. Breaks my 1/2 Irish heart but just can’t seem to gain traction with The Dropkick Murphys. Some decent songs alas, but never jumped on the initial DKM wave and then warned repeatedly of many lineup changes since leaving a whisper of the original band so don’t even know where to start so maybe I shouldn’t at all and just stick to what I already know which still isn’t shabby…. the new releases from NYHC legends, Burn (From the Ashes and III Together) aren’t too bad but still can’t touch their self-titled EP debut and Last Great Sea releases. I finally forgive Syracuse, NY’s Earth Crisis and discovered a song I like (“Firestorm”) on my daily morning run while vacationing in LBI this summer. Say what you want about Metallica, but their “back to true form” recording, Death Magnetic (2008)just kicks you in the balls and I love it. No longer the MTV darlings, they come out swinging with such killer tracks like “That Was Just Your Life” and “The End of The Line…” Can’t get enough of Walter Schreifel’s side project recordings, Surveillance (2016) from the Hardcore super group, Vanishing Life and the 70’s fuzz-wah drenched psych rock of Whatever Witch You Are (2017)from the Dead Heavens (who I saw recently at Garwood, NJ’s Crossroads. A surprisingly sparse crowd of Wally die-hards catching a killer live set) …Missing a ton of good shows as of late. Due to work and the lack of motivation to do anything on a Friday evening anymore, I sold off my Menzingers, Lucero, Bouncing Souls ticket for the 8/25/17 Asbury Park’s Stone Pony Summer Stage. I also had to give my 9/30/17 NYC Quicksand show ticket due to hasty ticket purchasing while also having a previous unbreakable engagement. Missing these kings of Post-Hardcore with a brand-new record coming out soon (first single, “Illuminant,” is very promising) hurts even after seeing them so many times over the years and as early as last year at the House of Vans in Brooklyn. Finally, I sold tickets to the upcoming Pixies show also at the SPSS later in September. My wife (who considers Doolittle flawless) and I love the band, but considering it is also our anniversary weekend, a bed and breakfast weekend in Cape May sounds much more appealing….and I picked up two beach books for the trip – Roger Miret’s (Agnostic Front) My Riot: Agnostic Front, Grit, Guts & Glory and Keith Morris (Black Flag, Circle Jerks, OFF!) My Damage: The Story of a Punk Rock Survivor….and oh, speaking of the Circle Jerks and great books, a must read is the short and beautifully written The Prodigal Rogerson: The Tragic, Hilarious, and Possibly Apocryphal Story of Circle Jerks Bassist Roger Rogerson in the Golden Age of LA Punk, 1979-1996 by J. Hunter Bennett. I’m really looking forward to his book reading at the end of month as part of an upcoming kick ass local rock show at the beloved South Orange, NJ’s Elks Lodge (to be announced soon)…until that unknown next time….xoxo PJH
I have a confession to make. I have rarely heard a band without a bass player I really loved. Yeah Yeah Yeah’s first release was close. Well, I now have my first bass-less true love. That band is Brooklyn’s The Royal They.
After passing on the recent Atom Driver release to Greg from The Mad Doctors, he told me to check out, as he put it, “Brooklyn’s best kept secret”, The Royal They. I popped on their self-titled release, which came out in September, 2016. Within 30 seconds, I was sold. In fact, I had to literally stop everything else I was doing and just listen. Michelle (gtr/vox) made sure she got my attention when she softly sung “insufferable cunt” in the beginning of the first song, Truncheon.
This band is a trio: two guitars and drums. Besides Michelle, Darrell plays guitar and Rick is on drums. As I listened through, I was floored by the musicianship. This dog can hunt! The interplay between the two guitars is beautiful, with great tension and dissonance. The band excels in leveraging dynamics as they use soft refrains leading into blistering fuzz-drenched passages. And then there’s the drummer. This guy can play! Listen to the drums on the track, Laurels, and you will want to put down your sticks. That leaves the vox. Michelle’s voice is stunning… part saint, part whore. It floats above the songs perfectly. Michelle’s voice commands attention over raging guitars and floats beautifully over soft passages.
So, what do they sound like, you ask? They’ve got a lot going on. One could compare them to the Screaming Females, but I don’t think that’s really a fair comparison. The guitars do some things that remind me of Fugazi, but they’re not Fugazi. The vocals may have some Kim Deal (Pixies), but Michelle’s voice is much better. Some of their tunes have the grit and energy of Stuyedeyed or Charly Bliss. Maybe The Royal They is in a class by themselves. You’ll just have to listen and decide for yourself.
I highly recommend every song, but my top choices are:
1. Understate – really great dynamics and rhythms going on. So much fun.
2. Laurels – Drums! Drums! Drums!
3. Kamikaze – This may be the most delicious and “accessible” tune of the bunch. The vocal melody is a blast. A part of the melody over the verse reminds me of the theme from The Banana Splits. That alone makes me smile. The song’s groove and temp is perfect!
Check The Royal They out at your earliest convenience on Bandcamp or Spotify. They are playing August 26th at Liz’s Basement in Brooklyn. They may not be Brooklyn’s “best kept secret” for long.
The Brooklyn-based trio, TheMad Doctors, are going to beat the hell out of your ear holes with their latest release, No Waves, Just Sharks. The 10-song release is soaked in fuzz, with the springs from their reverb getting stretched straight.
I asked Greg, the drummer, how he would describe his sound. He described it as “Dudes who hang out in caves and arcades on the boardwalk with Motorhead t-shirts”. I completely agree. The Doctors have the trashy surf riffs of Link Wray on a very bad day. However, to say that they are a surf-punk band wouldn’t do them justice. These tracks truly bring the meat! Their sound conjures up images of Tony Iommi (Black Sabbath) and Lemmy (Motorhead) unleashing their own impressions of Dick Dale through alcohol-imbued glasses.
The Mad Doctors stick with the surf theme, much the way that Man or Astro-Man sticks with outer space. Some of the tunes start with kitschy vignettes. The songs may start with surfy riffs or snazzy chords. However, once the tunes get going, there’s blood on the beach. The tunes are blistering riff storms, with solid changes, great twists and turns. Top that off with a perfectly distorted, gritty vocal delivery. Everything fits very nicely.
While all the songs are great, my faves are:
The Ballad of Jort Dad: I love the intro. They give you fair warning right from the start of what you are getting into. The riffs and time changes are deliciously fierce. Shit Hawks At Blood Beach: Very cool groovy tune with the great Matt Witte on vox. A nice, surprising departure from Coach n Commando. Dial M (for Sultry): It’s as if the MC5 went sideways. I know that doesn’t make much sense. When you hear it, then you’ll know. Sooooo good!
The Mad Doctors
While the release is great, I can only imagine what they are like on stage. I envision a pummeling like no other. If you haven’t seen the Mad Doctors, you will get a chance very soon. They are playing RoughTrade in Brooklyn on September12th with A Giant Dog and Simon Doom.
Go to The Mad Doctors Bandcamp page and check it out!
Know thyself! When speaking with Doug Vizthum, the guitarist and lead singer of Mr. Payday, he described the band as power-pop with punk rock sensibilities. I have to say, I can offer no better description. The band’s latest release, Welcome to the Modern World, is a 10-song compendium in line with the best American power-pop acts from the 80’s. However, there are also wonderful streaks and strains from the punk bands you all know and love. It’s as if Rhino records had released a power-pop compilation where every song is a gem, but then threw in a couple Sugar/Husker Du, Devo, and even Mudhoney tunes for good measure!
One of the things that jumps out when listening to the release is that the mix is spot-on. The songs were lovingly recorded and mixed by Mike Moebius at Moonlight Mile in Hoboken, NJ. The vocals are solidly in key, the instruments all are in the right place. The feel of the mix is great! That may seem silly to mention, but without this, the songs would lose their power, charm, and luster. These are songs meant for a wider audience than just the jaded hipster. So, solid vocals and proper balance in the instrumentation is integral in making this release a success.
The other thing that really caught my attention was the flow of the release. There is a lot of job-sharing in this band. Everybody in the band sings lead. Tom DiEllo (bass) tackles Sun Shine Down, Nick D’Amore (drums) handles Set To Automatic, and Caroline Feinman (keys) sings Written in Stone and Welcome to the Modern World. Doug belts out the remaining six tunes. One would think that with all those voices, the songs could seem disjointed or foreign from each other. Far from it! There is a great consistency in the music and the variety of voices only widens the spectrum.
OK… so let’s get to the songs!
The first three: The band starts the CD by getting their ya ya’s out on Club Test. Full of energy, and a slight tip-o’-the-hat to Mony Mony. The song jumps in and then, in the blink of an eye, jumps right back out. Remember… punk rock sensibilities. Payday then dives in to two mid-tempo power-pop numbers: Now and Forever and Broken Wing. These two songs have the structure and sensibility one would expect from power-pop greats like the Beat, Plimsouls, or the Nerves. Broken Wing has a vocal quality that is reminiscent of Bob Mould a-la Sugar. Both songs are a blast, with strong choruses and a lot of drive.
The next four: At first blush, Set To Automatic seems to be an homage to Devo, with its Moog infusion and staccato riffs. That is, until the chorus kicks in. It’s as if Mudhoney showed up to kick Devo off the stage and take over for the chorus. Fantastic! Track five is the most “accessible” track, Written In Stone. I was struck by the vocals. They are vulnerable, but by no means weak. The guitar line has a little of a Latin vibe and is very tasty. Track six, Sun Shine Down, is classic rock-a-rolla with a slinky slide guitar and tasty chorus. The next track, End of the Day, swings us back in to power-pop territory with another mid-tempo winner. The chorus is really strong and is a lot of fun.
The last three: Tracks eight and nine infuse more of the aforementioned punk sensibilities. Tongue was placed firmly in cheek for Nazi Beer. Great lyrics, with appropriate country twang applied. A lot of saucy slide guitar as well. Track nine, Double Barrel, feels sooooo good. Anybody who has ever had the misfortune of driving the Garden State will know how these lyrics came to be. This song could have been sabotaged by keys, but they are mixed to add meat to the riff. Well done, Mike Moebius! The last track, Welcome to the Modern World is a nice coda to the release, a great song with an appropriately-timed political bend.
Mr. Payday set out to present a CD that shows their skills, strength, humor, and versatility. I would say they succeeded on all fronts. Do yourself a favor and go to their Bandcamp page and check it out. The release date is August 25th.
To celebrate the release, Mr. Payday is playing Pino’s in Highland Park, NJ on August26th. Helping them celebrate the release are the bands Dentist, AtomDriver, and Sux. Should be one hell of a show! The show is free and all ages as well. So…. No excuses.
It would be pretty hard to overstate the demise of the New Brunswick club scene over the last 5 to 10 years. Just about every venue that once offered a weekly rotation of local artists, peppered with the occasional touring national, has gone the way of the dodo. While the “basement” scene still holds firm in the Hub City, these venues and shows tend to be, at best, inconsistent. Shows are usually only available to bands the proprietor (rightfully so) likes and would want to have in their place. So, what’s a band to do?
Enter in Frank Bridges and his weekly radio show and podcast: OvernightSensations. Overnight Sensations has been a fixture on the FM dial for years. The show has passed through many hands. Frank Bridges, however, has reinvigorated the program as a conduit for new, local artists to present their wares. As the program has always done, he spins releases from local artists. What really makes the show special, though, is Frank has local bands come to the studio to do a live set almost religiously every Friday. Bands usually play seven songs; a good swath of material for the listener to enjoy at home. Frank, through his mastery of witty banter, makes the musicians at ease and gets artists talking. The resulting conversations alone are enough to make for a really enjoyable and entertaining listening experience.
If that weren’t enough, Frank records all the live shows and posts them to the Overnight Sensations podcast. So, if you miss a live broadcast (Friday’s from 10PM-midnight), you can always check it out there. I heard some amazing bands that I, honestly, would have missed completely if it weren’t for the podcasts: BlackClouds, AngularBrothers, AtomDriver (shameless self-promotion) and Overlake to name a few.
Here’s a link to the Black Clouds live performance:
In case you care what I have been listening too lately (and I know you secretly lose sleep wondering)…here you go…since you insist….
Local Maplewood, NJ hometown indie rock A-Leaguers, Tri-State, continue their collective, at ease, upward momentum with their latest 5 track release , we did what we could do(2016) on the ultra-cool and equally Jersey label, Mint 400 Records . The killer riff on the opening track (and one of my personal favorites), “Summer Nun” kicks in the thruster a bit since their beautifully gliding, yet slightly subdued 2 song EP, New Minuits (2015). Again you find guitarists Julian Brash and Jeff Zelevansky trade off engrossing and seamless electric six-string conversations when not splitting vocal duties, while the complimenting percussionist union of Mason Rather (bass) and Brady McNamara (drums) keeps everything delightfully moving and grooving along. wdwwcd is simply a fun record from start to finish. It’s a perfect album on replay, tapping your foot on a sunny, sandy Miami beach while lounging lazily under palm trees, slightly concerned about falling coconuts, weird, unrecognizable birds and equally weird, unrecognizable insects (proven this past holiday weekend). Other stand out tracks include “Petty” (“boy, you got a lot to say….”), Siamese twin track “Suture”and “Automatic Man.”
My “Buffalo Bro” Daryl who I can “geek talk” music for days, weeks, even months on end (and have the never-ending text to prove it), have been digitally nudging (read: nagging) me to listen to the latest Touché Amore’ record, Stage 4 (2016) for months, but not as long as he has been nagging me to listen to Elliot Smith’sXO. I finally broke down, found time and listened…and listened…. WOW. I like it…. a lot! Based out of Los Angeles, this four-piece hardcore band found the perfect balance of familiarity and unique, of the definable and almost indefinable. They apply a unique spin on an otherwise played out genre, somehow making melodic shoe-gazey, indie rock riffs hardcore with minimum doses of extra crunchy distortion and beautifully bridging the hardcore and post-hardcore/emo sound, similar to Title Fight. Atypical singing patterns/rhythms and very deep, extremely personal thought provoking lyrics only add to their refreshing approach. The album title holds a double meaning, being the bands 4th record and also the very worse stage of cancer, a subject that rears its ugly head throughout the recording, apparently due to leader singer Jeremy Bolm losing his mom to the dreaded disease recently in 2014. The subject matter certainly sends my brain hurtling back 30 years ago when I lost my own mother in the same fashion, leaving me slightly envious that Bolm could scream about it for months on end touring and finding relief while I just buried those feelings deep down inside somewhere long ago where they mostly remain to this day. Ironically, after all this time, I can find some relief in Bolm’s circumstances and the bands music, knowing I am not the only one that ever went through such a soul-shredding event. Opening track, “Flowers and You,” “Displacement,” “Benediction,” and “Water Damage” are just some of the many great songs on this record. Check it.
The Menzingers is a Philly band I heard of a number of times but only started listening to their music because I saw they played a recent show at Garwood, NJ’s infamous Crossroads, this time nudged by the club’s Facebook page. Another 4 piece, the band plays an all too familiar sound, but they do it in a way that keeps my interest. Punk -n- Roll at its finest. The first song of theirs I got hooked on, “Remission,” off of 2014’s dour-ish Rented World, is nothing special when it comes to many other songs I subsequently discovered in their impressive catalog, but it only takes that little something to keep the tune and video on replay in my life (in this case, it’s that little “uh” leader singer Greg Barnett blurts (Accidently? Deliberately? Both?) after the first verse, or even the killer sing along chorus “Everyone needs a crutch…I need a wheel chair…I need a reason to reason with you…”). Their new record, After the Party (2017), was released just a few weeks ago and remains in heavy rotation in my life. A much cheerier release, they managed (and I slightly plagiarize from another review because I agree), to keep their street cred intact while making radio friendly songs. Check out song like “Lookers,” Mid-Western States,” “Your Wild Years,” “Black Mass” …oh, just listen to whole record, it’s great from start to finish!
Dinosaur Jr.’s latest, Give a Glimpse of What Yer Not (2016), is also filed under easy listening in my life. For die-hard fans, this is a typical, predictable record for the original band lineup, and that is just perfectly dandy for us. Interestingly, a little bird (i.e. drummer Murph) mentioned in an interview that GAGOWYN came to life because J. Mascis “freaked out” about not having any new songs and quickly threw some together. Many in the know would agree that the thought of J. losing his shit is hard to imagine, considering he never seems to have a pulse and really quiet during interviews. And when he does say something it is quite clear why he constantly accused of being a stoner (which he isn’t, at least according to him). Yes, the final results sound rushed when knowing this little back story, but the results are still rockingly impressive. Standouts include the opener “Going Down, “I Told Everyone” and “Tiny” but my favorites are “Lost All Day” right into “Knocked Around.”
The Cloud Nothings is another band I was slow on the draw about until I stumbled upon their latest release, Life Without Sound(2017). An incredibly solid listen from start to finish. It took me multiple listens on many runs final figure out what I love about this band/record: I can’t pigeonhole this band because they don’t sound like any other band that I heard of. I can’t honestly think of any other band that the Cloud Nothings sound like. Offering a completely refreshing, catchy indie sound. they mix the perfect blend of melody with umph…what’s not to like? Such tracks as the piano-tinged opener “Up to the Surface” and “Internal World” are pretty rocking tunes.
Hey all, just wanted to share some great info your life desperately needs for both your listening pleasure and mental health.
First, many NJ friends of mine have great internet radio shows you should check out.
My bro Jerry Lardieri of the excellent NJ band The Brixton Riot, spins an equally excellent indie rock show called Audible Effects every Friday morning @ 9AM at Stevenson University. You can find recordings of this show on Mixcloud.
Then my other bro, Paul Alirangues and team spins their own fantastic show every Sunday called, well, Sunday Ramble, playing and touching every music genre you can think of . Guest appearances and sets also add to listening pleasure. Recordings of the show can also be found on Mixcloud.
Then you have my other bro, Chris Morpeth and company have another kick ass radio show every Tuesday evening at The Mike & The Morph Show.
Finally, Psychologist and bro Michael Friedman writes a fabulously fascinating weekly article for Psychology Today, interviewing musicians of all shapes and sizes (some legendary) about a host of psychological issues. Check out his latest article with legendary Bad Brains front man H.R. discussing the awesome power of P.M.A. (Positive Mental Attitude)!
Read the articles. Listen to the shows. Like/follow them on social media. Because I said so, yo. xo
Just some of the stuff, old and new, I have been listening to a lot in 2016…. hey, 8 months late is better than never….
Not sure what the deal is what my bros of Snapcase and the now mostly defunct San Diego post-hardcore outfit, Drive Like Jehu, but both ex-guitarist Scott Dressler and singer Daryl Taberski continually ramble on about how god-like their 1994 release Yank Crime is. I actually had to go back and listen to the album to remind myself that I know it very well and indeed godlike! Hence, it is now on heavy rotation in my life. Glad to see they are touring again.
Rivers Cuomo and the boys from Weezer finally stopped taking their silliness way too seriously with their most recent release, (delightfully entitled, due to the album cover, “The White Album.”), taking yet step towards returning to true “blue” form. While I lean towards 2002’s Maladroit, one can make a strong case that when a color-themed Weezer record shows up it is bound to be decent. “California Kids,” “LA Girlz” and “King of the World” are just some of the few Beach Boys-metal-tinged a la fuzz pop that makes you yearn for the palm trees and lovely strangeness of Venice Beach.
Ann Arbor, MIs Pity Sex has recently caught my attention. Their name alone kicks ass and then they got all silly and made some kick ass music to go along with it. Lo-fi, surfy, shoe gaze done wonderfully.
The latest Violent Femmes album, We Can Do Anything, is a predictable and sometimes silly, but still fun release. It doesn’t even dare touch their 1983 S/T release or even 1991’s Why Do Birds Sing? but it still brings a familiar smile to your face. The Femmes are like the movie, American Beauty….both made sense when we were younger, but all fell into perfect place when we listened/watched when we hit mid-aged….
Not sure why I didn’t listen to another bro, Adriaan Klaassen, about this band back in the day when we worked together at ING. But I am happily ashamed to admit that 14 years later, I finally discovered the genius of NYC’s Longwave’s (RIP) 2003 release, “The Strangest Things.” Interpol meets Sink Tapes (were the latter even born back then?…ha! Sorry…couldn’t resist) is always a good combo! My favorite track that I listened to on repeat while on a two hour shopping spree at Jersey Gardens, “I know It’s coming Soon,” can be found below.
NYC’s Dead Star’s 2016 release, Bright Colors, starts right where 2014’s Slumber stopped. Fuzzed out indie pop where a heavy does of 90’s Dinosaur Jr. and early Weezer collide.
Finally, ex-Husker Du/Sugar God and front man Bob Mould has a brand spanking new album out called Patch the Sky. I agree with the hailing critics that it is a great experience but disagree that Bob is tapping back into his Du days. I would argue that like 2012’s Silver Age and 2014 Beauty & Ruin, Bob is flirting back to 1989’s Workbook or even 1990’s Black Sheets of Rain. Or better yet, his other project Sugar. So there, mofos!
VIDEOS: To make up for the months of a questionable hiatus from posting music and writing about I’m just going to post the newest random shit I have received has some merit besides the obvious half of a new wrens song we posted earlier today. Here is a Beck remix of looser and a original with some def rap skillz that I could never match. This stuff is raw and probably sounds great on cassette from Boston, Mass. Check em out Twitter | Web
BECK – LOOSER REMIX BY RE-SURCH
Re-Surch – Nigga Nigga ft. Napoleon Velasquez, $.A.K
He says the word so many times in this it looses it meaning but very old school none the less and I suppose the whole point of the chorus. The imagery in this video is NSFW or small children but may be a good conversation piece around the confederate flag and why it’s fucked up that so many states were still flying it about their capitals.
Give this a like on FB so your mom see’s this please.