I Should’ve Started a Chemical Fire…I Should’ve Burned This Place to the Ground….

I Should’ve Started a Chemical Fire…I Should’ve Burned This Place to the Ground….

No intro necessary and in no particular logical order, my most go to 2018 releases.  Spotify playlist to follow.  Enjoy and Happy 2019.  xo PJH

 

Hot Snakes – Jericho Sirens (Sub Pop) – Catching this San Diego, CA post-hardcore phenomena live earlier this year in San Francisco was a life changing experience for me, especially watching Jon Reis’ guitar work first hand and especially since I never caught Drive Jehu live, ever…at least I caught 50% of the band this time around.   It was nice to see and hear that the foursome doesn’t miss a beat after a 12 year hiatus. Song’s like “I Need A Doctor” “Why Don’t It Sink In” proves this garage punk onslaught is all that, where its at and then some.

 

 

Buffalo Tom – Quiet and Peace (Schoolkids Records) – My Bean Town heroes return with a solidly mature release this year. When once they sang about feeling old and out of place in such classics as “Taillights Fade” and “I’m Allowed”, now they are older and reflecting on such topics as mortality and lost time in their latest effort.  The opening track, “All Be Gone” quickly proves the trio still have some gusto left under their hood.  For the “Colbourn disciples,” the bassist offers his best song yet with “Roman Cars.”  “Freckles” starts out simmering before kettle whistling to a wall of sound finale while “Slow Down” beautifully reeks of Brit-Pop lyrical positivity.

 

 

Turnstile – Time & Space (Roadrunner Records) – Despite the critics, purists, and haters (largely due to major label sellout charges), this latest release from the Baltimore fivesome is 25 minutes of pure hardcore bliss plus.  It’s the same formula heard on 2016’s Non-Stop Feeling and then some.  I hear straight up hardcore, I hear Jane’s Addiction/Perry Farrell vocals,   I hear pianos, I hear rhythmic claps, I hear metal guitar solo flirtations among all the awesome grooving breakdowns.   I hear a band among a few, brave others (Title Fight, Drug Church)  that has the balls to take the easily overplayed genre to new extremes other than the flogged horse Hate Breed/Earth Crisis route.  I finally caught them live at this year’s ‘Tid The Season event in Buffalo, NY and they blew my world up.  Fuck  listing standout songs, listen to the entire record…its that good.

 

 

Eminem – Kamikaze (Aftermath Entertainment/Interscope Records/Shady Records) – I don’t really care for modern age rap/hip hop, always stuck in the past with my Beastie Boys, Wu-Tang Clan, BDP and Public Enemy records, to name a few.  Except for a song here and there, I wasn’t even a big Eminem fan back in the day.   But when the 8 Mile rapper surprised the universe and dropped his 10th studio album this past summer, I was mesmerized from the very first sample of the opening track, “The Ringer.”  An “epic fail” one critic said?  Please, anything but in a world of second rate hip hop garbage offered by the bad joke, Machine Gun Kelly (sit down kid, you are no match) and many others.  From the jaw-dropping, bombastic, shit talking precision of Eminem insane tongue-twisting rhymes magically captured by the Jedi-Knight producing skills of Dr. Dre, to the Licensed To Ill shout out album cover, Eminem is back, pissed and setting shit straight.

Brian Fallon – Sleepwalkers (Island Records) – Ex-Gaslight Anthem front man returns with his sophomore solo effort, picking up where 2016’s Painkillers ends.  With his latest release, we find Fallon continually getting his Bruce on, toying with the RnR sounds that once crackled out of the jukeboxes or classic car radios of  50/60s  yesterday and finding the balance between familiarity and refreshing.  Ironically, Sleepwalkers is a perfect record to catch summer rays to on a Jersey shoreline, especially Asbury Park.     Some standout tracks include “Forget Me Not”, “Little Nightmares” and “Etta James.”

 

 

Green Dragon -S/T- Straight out of my adopted hometown, Maplewood, NJ’s Green Dragon plays heavy, fuzzed out, groove music with Black Sabbath, MotorheadHendrix and even early  SST Records era St. Vitus influences heavily sprinkled throughout.  Some call it “psych-rock” which to me is acceptable but I refuse to define it as Doom/Stoner Metal because both terms are fucking stupid and I don’t even know what it means and no, I wont look up how they are defined.  The foursome’s 6 song release is an absolute treat from start to finish, teasing my inner moshing inclinations throughout and has given me that extra umph at the gym or on a run when needed.  My go to tracks are “Poison Finger” and “Eternal Pyre” and Full Moon” but the entire album is  solid.

 

The Messthetics -S/T (Dischord Records)-Take 50% of DC post hardcore legends Fugazi and throw in some mysterious dude on guitar and this trio plays some serious  surfy punky, garagy, progy, jazzy, gazy instrumental rock and boy it is some good shit.  The band released their first full length album on the famously historic DC hardcore punk label staple, Dischord Records. Nine songs of pure, balls to the walls  jamming.  I personally enjoy such tracks as “Quantum Path” and “Serpent Tongue” but there are no losing cuts on this album.

 

Allied Chemical – This Isn’t Working Out Maplewood NJ’s indie rock wizards, Allied Chemical, wasted no time following up on their solid 2017 release, Sword Soup, with this 11 song indie pop treat.  This a trio that truly likes to have fun and refuses to take themselves too seriously and it’s great to hear other members taking on vocals, especially  bassist, Jonathan “Cubic Zirconium, IV” Bloom.   Track favs include “Leavin”, “Fence” and the very interestingly intriguing “Be Right Here.”

 

 

Beach Rats – Wasted Time (Bridge Nine Records) – what happens when a Washington, DC hardcore legend move to Asbury Park, NJ?  Well in the case of guitarist Brian Baker (Minor Threat, Dag Nasty, Bad Religion), he rounds up a superstar lineup of members in Lifetime and The Bouncing Souls and starts a band.   This  5 song EP offers a fun, straight ahead, no frills, melodically uplifting hardcore.    My personal favorite track, “Stay the Night” sounds like it fell off the back of the Lifetime truck.  Other standouts include opener “Lonely For The Night” and the 7 Seconds sounding title ode, “Skin, Brains, And Dubs.”  A wandering Soul in Buffalo, NY  recently informed me that a full album is in the works….awesome.

 

 

Forevers –Between the Banners, Beneath The Floors (Dadstache Records)) Rochester, NY’s Indie rock pop superstars,  Forevers quickly return with this new release even while still enjoying the residual high off their 2017 ep release, Cotton Thrones.  A smorgasbord of influences can be found  From The Replacements to Guided By Voices the Hold Steady to even, may I dare say it, Third Eye Blind).  Tracks like “Wait It Out” ‘Plastic Room” and “Why Do You Do The Things You Do” are my favorites.  I have also included the video to their first released single “ Mattress” because it is so gosh darn cute!

 

 

 

 

Vault – S/T – Members of Avail and Snapcase and Windham converge to Staunton, Virginia to produce 6 songs/22 minutes of heavy, fuzzed out psych-rock to relish, savor and enjoy.  Right out of the starting gate with “Hatchet”, this five piece means business, with consistent pummeling rhythm, engrossing hooks and  kaleidoscopic vocals that don’t let up for a breather until 4 songs in with the acoustic-tinged and melodious “Memorial Machine” before picking up tsunami strength once again with “Blindfold”.   I am not alone in expecting big things from this project in the future.   (Bandcamp:https://vault3.bandcamp.com/releases)

 

 

Dot Dash –  Proto Retro (The Beautiful Music) – DC punk scene veterans reduced headcount by one since their last recording (2016’s Searchlights) but still remain as full and tight as ever with their melodic and punky, jangly pop offerings. The trio continue to pump out the jams with these 12 songs.  Many killer tunes to be found here and I personally enjoy “Tamed a Wild Beast”  with it’s very early New Order feel.  Other feel good hits include “Unfair Weather” and ‘World’s Last Payphone.”

 

 

Sick of It All – Wake the Sleeping Dragon! (Fat Wreck Chords) – I was re-introduced to SOIA lead singer Lou Koller at a recent local Dag Nasty show.   The last I met him was 30 years ago, stumbling on him gargling his throat with salt water in the Syracuse, NY Lost Horizon’s men’s room.  I was quickly reminded in 2018 how funny he is as he explained in a precise, stand up comedian kind of way, how he sang about every topic ever twenty times over and new lyrical topics was a present challenge for the new, forthcoming album.  Well the band earns a gold star for their achievements as the NYHC heroes return with a solid release looking to kick you repeatedly in the crotch from start to finish.  Judging by the funny song titles (“Beef Between Vegans”, “Self-Important Shithead” and  “That Crazy White Boy Shit” – the last song being an ode to the legendary Bad Brains), the Alleyway Crew still have a bone to pick, but not taking  themselves to seriously doing so.

 

Drug Church – Cheer (Pure Noise Records)– My first hardcore scene ever was in Albany, NY, catching many shows there long ago and catching many NYHC bands driving up the NYS Thruway to play shows in the capital city every other weekend.  While “my” venues like 288 Lark, Hibernian Hall and South Dove Street and local bands like Wolfpack, No Outlet, Cranial Abuse and Substance are no longer around and many scenes subsequently followed, it is still very satisfying to witness an “Al”bany band making international waves  while defying the rules and pushing what’s acceptable in a predictably metal-saturated scene, similar to their comrades in Turnstile and Title Fight, with their perfect blend of hardcore and 90’s alternative nostalgia .  Too many good tracks on this latest release but “Weed Pin”, “Strong References” “Unlicensed Guidance Counselor” and “Avoidarama” quickly come to mind.

 

John Coltrane-1963: New Directions/Both Directions at Once: The Lost Album (Impulse!)– 2018 was a big year for the American saxophone jazz legend who passed away over 50 years ago, at only 40 years of age.  The former recording showcases the artist’s busy recording year in 1963 just before discovering free/acid jazz (yuck, my least favorite era of his – blame it on the Trane and his love for ‘caine?) while the latter’s copy of the Master  recordings “found” with Coltrane’s wife (the originals destroyed by the record company to free up storage space!!) and finally released. Both offerings are fantastic and a perfect soundtrack to the hustle n’ bustle of NYC. I admit I don’t listen to a much jazz as I use too (which my wife likes to remind me noticeably a lot) but such releases remind me a glorious age the American bebop/hard bop era truly is and why I should be listening more again.

 

Tuffy – Lighting Things On Fire (BF Collective) – Brooklyn power trio Tuffy setting the planet ablaze with 15 songs of witty, indie pop brilliance. Front-woman, Yasmin Dalisay will coquettishly enrapture you were Tanya Donelly-ish vocals.  The title track and “Into the Mouth of Everything” are just a few tunes that keeps my broken ears happy and my foot tapping.

 

 

Verbal Assault – The Trial Reissue (Atomic Action)– when originally released 31 years ago by this Providence, RI band, this album changed the face of hardcore in so many ways and has stood the test of time mostly, at least for me,  because it was such a vast improvement over the bands first release just a year prior on 1986’s Learn.  All the tracks were re-mastered but in my opinion, didn’t need to be as lead singer’s Christopher Jones’ 10 second vocal hang in the opening track (starting at the 1:42  mark: ) still gives me goosebumps, while the guitar work throughout is still both spearheading and avant garde for a hardcore release from so long ago, even without the piano in “Scared”.

 

 

 

Terror – Total Retaliation (Pure Noise Records) – Buffalo native Scott Vogel (Buried Alive, Despair, Slugfest, World Be Free) and team sizzle up 13 songs of brutal hardcore straight outta Los Angeles.  After 16 years the band still sounds urgent, aggressive and energized with breakdowns that gets you through a frustrating day or challenging workout.  “Get Off My Back” ‘Mental Demolition” and “One More Enemy” pack some serious kick to the nuts.

 

Sleep – The Sciences (Third Man Records) – After 15 years, this San Jose, CA Doom Metal trio return with this 6 song EP.   While I suffer a serious case of “jellobiafaraitis” when it comes to the vocals, the heavy, fuzzed out sludgy music makes up for the former’s shortcomings.  “Marijuanaut’s Theme” and “Sonic Titan” catch my fancy.

 

 

No Sleep – Bring the Light (Reaper Records) – Since we are on the topic of sleep, Hardcore vocalist legend, Dave Smalley ( Dag Nasty, DYS, Down By Law, ALL) leads this Washington DC/Harrisburg, PA melodic hardcore outfit. These 3 songs have a real late Dag Nasty Field Day or even Minority of One release feel.  Looking forward to more offerings by this band.

 

Finally, hats off to New Jersey’ indie rock darlings The Brixton Riot for doing a killer cover of Echo and the Bunnymen’s “Bring on the Dancing Horses” for Mint 400’s At The Movies compilation.  The band managed to keep true to the original while adding their own unique flare and I can’t think of anyone other than vocalist-guitarist Jerry Lardieri’s that can vocally knock this song out of the ball park.  And boy did he…..

Even the video has a cool, nostalgic 80’s vibe and is also gosh darn cute….Beautifully done boys. xo

 

 

EDITED TO ADD:  Of course something is always overlooked…..how did I ever forget Weezer’s insanely good cover of Toto’s 1982 hit, “Africa”?

 

 

Until we meet again…..xo

 

I Came Undone In This City.  I Blame It On the Restaurants. But It Was Probably The Drugs.

I Came Undone In This City. I Blame It On the Restaurants. But It Was Probably The Drugs.

Except for some Mogwai and Explosions In the Sky, I typically don’t gravitate toward vocal-less, jammy music. but the times, they are a changin’….

 

 

 

Take 50% of DC post hardcore legends Fugazi found in the form of bassist Joe Lally and drummer Brendan Canty, throw in some mysterious dude (at least to me) in the shape of Anthony Pirog.  Mixed together, this trio plays some serious Hendrix-ish, surf punky, garage rock as The Messthetics who just released their first full length album, interestingly enough, on the famously historic DC hardcore punk label staple, Dischord Records. Nine songs of pure, balls to the walls  jamming.  I personally enjoy such tracks as “Quantum Path” and “Serpent Tongue.”

 

 

And then you have the 2/3 post-hardcore super group High Disciple, consisting of drummer Christopher Daly (Texas Is the Reason, 108, Jets to Brazil, Resurrection),  Scott St. Hilaire (Lifetime, The Fire Still Burns) along with Larry DiGiovanni of Dub For Light fame, offering 5 star, Class A, space dub reggae music for your listening pleasure. The music remains consistently super chill and relaxed, so whether you walking down a NYC street enjoying a Starbucks unsweetened black or green iced tea, clearing the house gutters of leaves, or even getting lost while hiking in Acadia National Park  in Maine recently, these 6 songs will provide balance, serenity and a perfect soundtrack to our otherwise bland existence.  Digging such cuts as “Tranquility” and “Gate Crasher.”

 

 

And because of this latest interest in instrumentally jammy music, I sought out the 2012 Heavy Blanket self-titled album to blow the dust off and give it a better listen since I have unfairly not done so in the past. This trio is a project by none other than guitar Jedi Knight and demi-god, J. Mascis of Dinosaur Jr., two high school friends and a crazy back story of Tuba pot smoking, counterfeit money, jail and revenge on Pearl Jam.   While the funny back story may most likely bullshit, the music isn’t with J’s signature Big Muff’ed licks clearly and evidently present.  Check out such songs as “Dr. Marten Blues” and “Spit in the Eye.”

Oh what else…..oh yeah, The Menzingers recently released a new single, “Toy Soldier”. Though not as solid as many of other their many other kick ass songs (seems a little rushed and awkwardly disjointed at times), still decent enough…

 

And then Beantown Hardcore kings,  Slapshot,  just released a new record, Make America Hate Again. No surprises here with Choke and Co. and that is sometimes a good thing. Straightforward, in your face hardcore brutality you expect from the band. Decent release but must admit I gravitate towards their 2014 self titled release more.  Check out the song “Edge Break Your Face.”

 

 

And speaking of hardcore, been deeply intrigued by the latest release by NYHC heavyweights, Burn, entitled Do or Die (2017). Since their self titled release on Revelation Records, I was always attracted to this band because of their unique approach to an easily played out genre. When you mix Guitarist Gavin Van Vlack’s  avante guard, pedal heavy riffs with Chaka Malik’s off-kilter but still balanced singing approach proves to be a lethal combination. Release that concoction into an energetic live setting, you may want to take out extra liability insurance because trust me, the venue with catch fire and….well…burn to the fucking ground.  Songs like “Fate” and album title track are just two of many gems.

 

And to end things Hardcore, I tend to seek out LA Hardcore royalty, Strife’s live release from their 2017 sold out Troubadour show in LA . Though the band being over the whole straight edge thing, this record is a fantastic capture of the band, playing classic songs throughout their hefty discography.  Killer live tracks of “Blistered” and “Through and Through” can be found here among many others.

 

 

Oh wait, one more thing hardcore….the latest Turnstile album, Time & Space (2017), was brought to my attention via a friend’s text while driving back from Boston/PAX East 2018 with my now 14 yo earlier this year.  “Dude check this song “Generator”  out” immediately turned into me checking out the entire album multiple times on the drive home to Jersey. T&S is 25 minutes of pure, serious punk rock perfection without taking itself too seriously.  I hear a lot of other influences buried in the music, especially Perry Farrell (Jane’s Addiction, Porno for Pyros) inspired vocals. This Baltimore suburban outfit was on my friend’s upstate NY label, Reaper Records before jumping to the “majors” (Roadrunner) where the didn’t really do much for me, but now due to the latest record, they do a lot!

 

An unfortunate reality for many opening bands is that they rarely catch our attention which is highly unfair to them because we are all so selfishly focused on seeing the main act. All this changed when I caught Oakland’s Feral Ohms catching my otherwise ODD-tinged attention, opening up for the Hot Snakes at San Francisco’s hottest new club, The August this past May when work brought me to nearby Sacramento. The band name is very fitting as this trio spit out song after song of rabid, eardrum damaging, rock n roll – just how I like it!  If tracks “Love Damage” “Living Junkyard” don’t do it for you then….oh I don’t know….

 

And don’t get me started on San Diego’s Hot Snakes because I just wont shut the fuck up since they my latest musical obsession at the moment. Not only does their recent release, Jericho Sirens, continue to blow my mind, but their live shows are a life changing experience.  The intensity the band belts out on stage is aptly described as “post hardcore garage rock” and is immeasurably, well…INTENSE…the only word I can use to describe this four piece outfit whose members played in other boastful west coast acts like Drive Like Jehu, Night Marchers, Rocket from the Crypt, etc.  An added bonus is college pal Jason Kourkounis drums for this lethal foursome.  Watching “Jay” play that night in San Fran brought all those Buffalo basement shows memories quickly back….sigh.

 

 

Finally, Rochester, NY’s Indie rock pop superstars,  Forevers, quickly return with their first full length release, Between the Banners, Beneath The Floors (2018), even while still enjoying the residual high off their 2017 ep release, Cotton Thrones that made my same year “best of” list. Think The Replacements. Think the Afghan Wigs meets Guided By Voices with a sprinkle of lyrical witticism a la Hold Steady and even U2 in the mix.  And may I dare suggest one of my guilty pleasures, Third Eye Blind is also lurking in their musical shadows when I hear David Baumgartner (also of Muler), Nick Walter  Chris Reeg and Darren Dewispelaere  latest collected, impressive efforts?  I also hear a band who really, really like their Moog and puts it to the test.  Tracks “Wait It Out”, and first released single “ Mattress” are just a few of standouts.  The band’s latest offerings is not yet offered in digital media format but you can find (and buy) taste samples right here…. https://forevers1.bandcamp.com/releases

See my Spotify playlist below trying to capture as much music mentioned above as possible.

Until next time….xo

PJH

 

Latest Partial Musical Ponderings……March 2018!

Latest Partial Musical Ponderings……March 2018!

Image result for buffalo tom let me come over

 

Sooo, what have I been listening to as of late…..?

Well, for starters and definitely a no-brainer, I have been gobbling up the new Buffalo Tom release, Quiet and Peace by the plateful.  Released as an early present on Christmas Eve 2017 to all those Pledge Music band donatees and finally released to the masses earlier this month with some extra bonus tracks, my Boston heroes have proven once again that they still have a lot of shake left in their tush with this solid release.   Such stand out tracks like “All Be Gone”, the Big-Star-ish flirtations of “Roman Cars”, “Freckles” to 1998’s Smitten feel of “Least That We Can Do” and the Brit-Pop lyrical positivity of “Slow Down”, there are many great tunes to be found here that blend well with the rest of their discography.   My pal Jerry Lardieri of NJ sensation The Brixton Riot is going to guest spot a more in depth review of album in the near future (right Jerr?).

So what else, oh….been becoming re-acquainted with Memphis, Tennessee’s “alt-country” kings, Lucero, especially since missing a recent acoustic gig by front-man Ben Nichols at Garwood, NJ’s Crossroads recently. I find myself returning to such great records as 2009’s  1372 Overton Park and 2002’s Tennessee more often.

Also lately (re-) discovering Gainesville, Fla. punk-n-roll heroes, Hot Water Music in a major way. Heard a lot about them over the years and took a dive with their album A Flight and a Crash (2001) back in the day , which in hindsight, was the wrong place to start. After multiple false starts, I hastily and unfairly chalked up the band as meh and moved along. And then with a lot of nudging from Snapcase front man Daryl Taberski, I slowly discovered the absolute beauty the band has to offer with such records as Caution (2002), No Division (1999) and their first release Finding the Rhythms (1995),  which kicked my ass upon first listen on a 7 mile weekend run. Their latest offering, Light It Up (2017) rocks and they even release a couple of awesome live albums (Chicago and at their hometown Hardback Cafe) the same year.  Not sure what took so long but I am now an official convert!

Unfortunately The latest Superchunk, What A Time To Be Alive (2018) is predictable, quick and uneventful, at least for me.  Some songs like “Lost My Brain” and title track aren’t too shabby, but I’ll take Foolish (1994), And Here’s Where the Strings Come In (1995), even Majesty Shredding (2010) over this new offering.

The latest offering by ex-Gaslight Anthem front-man Brian Fallon, Sleepwalkers (2018), is pretty decent.  The three singles released up to the album debut, “Forget Me Not,” See You On the Side” and “If Your Prayers Don’t Get To Heaven,” all solidly rock, but other tracks like “Etta James”, “Little Nightmares” and “Her Majesty’s Service”, to name just a few, all hold their weight.  Fallon sounds much more comfortable and confident with this sophomore effort when compared to his premier solo efforts Painkillers (2016), which is a great album, but does sound like he is trying to find his footing at times.

Tripped over a cool Spotify Sessions with Weezer playing a number of acoustic tracks that span their career. After last years disastrous release, Pacific Daydream, it is refreshing to hear their old songs stripped down. I love the band best when they stop trying so hard to not take themselves seriously.

Also rocking out to The Bouncing Souls a lot these days and good timing with the recent acoustic set announced at Crossroads recently. This awesome club just 15 minutes from my house is having a lot a great shows lately….Dag Nasty (with Shawn on vocals) is coming up on March with three nights with The Menzingers a few weeks ago…with more punk-based shows to come!

I am sure this going to sound very “America-centric” but when I think of straight edge, posi-core bands the last place I tend to think is well….nowhere else on the planet except for the USA, which is clearly my bad. But the genre is internationally alive and kicking and in full force, especially in the UK and especially in cities like Manchester where bands like The Smiths, Oasis, Joy Division and The Stone Roses come to mind but not bands like Insist.  Such bands are bringing back the posi-core sound of 80’s and 90’s which is definitely a breath of fresh air with so many American bands beating the dead Hate Breed horse to death with the dark, metallic flirtations and modulated vocals, all while draped in black clothing.

Not that metallic hardcore is bad, in fact I recently discovered Brooklyn’s Incendiary with their latest release Thousand Mile Stare which has very in your face Inside out/Rage Against the Machine groove/vocal metallic vibe.

Speaking of new bands that are replicating the awesome sounds of yesterday, Los Angeles’ Fireburn is another “Super Group” and the legendary Bad Brains reincarnate for a new generation of kids with their hardcore punk/reggae dub sound.  But despite the glaring similarities, the former still refreshingly rock.

I also finally got around to listening to the band Bane (I know, weird right?) and love their debut record, 1998’s Holding This Moment.  

One band/album that I always missed and could never find for years is BL’AST “In My Blood” (1987) which use to kick me square in the balls every time my younger self listened to it.  It sounded so later Black Flag-ish too the point that Henry Rollins and Greg Ginn allegedly hated them so much that the latter still released it on the infamous hot mess label, SST Records.   Lo and Behold, it is apparently Dave Grohl’s (yeah, that fucker) favorite record too from back in the Scream days and he remixed it a few years ago, stripping it down to what BL’AST would sound (driving and loud) and releasing it under the name Blood!  I may give Grohl shit but man,  he and the band teamed up and  nailed this project perfectly with this re-release.  Check out this cool video of the project and original recording below.

My other pal, Mark Segal (of NJ powerhouse, Atom Driver ) turned me on to the Brooklyn punk sensation The Royal They with his own recent Reviewstalker.com review. Holy fuck moly this band is good and their latest release, Foreign Being has already made it on my top of 2018 list.

Finally, more Brooklyn bias as power duo Tuffy returns with another killer release, Lighting Things On Fire with 15 songs of witty, indie pop brilliance.  Like her days of Bear Trap, I can listen to front woman’s Yasmin Dalisay sing soft and sultry all day….

Until next time, enjoy the Spotify Playlist below with songs from the bands above ! xoxo

-PJH

 

 

What Caught My Musical Attention In 2017 AD…Part 2 of 2

What Caught My Musical Attention In 2017 AD…Part 2 of 2

Ladies and Gentlemen, I humbly present to you part 2 of 2…..

I have updated the Spotify playlist from Part I to include songs from each of the bands below…..see below it is now COMPLETE.

I am now stuffed, sun-burned and enlightened, hence I shall deep dive back into the musical past…but from what I heard with some early musical releases by the likes of Buffalo Tom (GODS), Superchunk, Brian Fallon, Mudhoney, Black Rebel Motorcycle Club and The Royal They, among others, sounding like 2018 is going to be a kick butt musical year!

Will find you at the tail end…

17. Iron Chic – You Can’t Stay Here- I accidentally stumbled upon this band via Spotify following a Gaslight Anthem playlist with their “hit” “Cutesy Monster” while shopping at a Wegmans in a far away, foreign NJ town while waiting out a birthday party my son was attending. The Menzinger’s nuttier first cousin from Long Island, NY, this punk -n- roll band makes a surprising return after some testing personal challenges with this new release.  I can’t get enough of the song “You Can’t Stay Safe.”

18. Matthew Ryan – Hustle Up Starlings a solid release from this Pennsylvania bred veteran whom I first heard sharing the same stage at a Brian Fallon (The Gaslight Anthem, The Horrible Crowes) acoustic show. While it doesn’t kick me as square in the groin like 2014’s Boxers, a lot of ground is made up with songs like “(I Just Died) Like an Aviator.”  and the beautifully chilling “Maybe, I’ll Just Disappear”.

19. Noel Gallagher’s High Flying Birds – Who Built the Moon? –/Liam Gallagher – As You Were –The Gallagher brothers automatically make my list for numerous reason- OASIS, their working class bravado, their worship for Man City, etc.   The usual warring siblings apparently have buried the hatchet (though I strongly suspect it is part of a larger conspiracy), but you would never guess it from listening to younger Liam’s debut solo release, who clearly has/had a serious bones to pick with his older brother.  While the British Press is eating it up, Paul Weller (legendary front man for the Jam) and I agree the music it is just more Beady Eye (dressed in a shorter skirt), Liam’s first post-Oasis effort that had inspirations for the stars but never quite made it out of the stratosphere to crash and burn.    Songs like “For What It’s Worth” and “Greedy Soul” aren’t too shabby.  On the other hand, after two albums of Oasis-tinged guitar rock, Noel Gallagher decides to explore some of his other musical interest and have fun with this latest offering. “Holy Mountain”, “Black and White Sunshine” and “Dead In the Water” are some of the songs I gravitate towards.   Ultimately, nothing mind-blowing from either brother which gives further proof for them to cut the shit, re-unite Oasis and conquer the universe.

20. The 65s – Wolves And Men – This 2 song EP from this  Lyndhurst, NJ band continues to proves they are veterans in playing rock music properly since 2009 – that is, heavy, loud and raw.  I really dig the song “As My Body Numbs.”

22. Battery – For the Rejected by the Rejected – After a 20 year hiatus, this nation’s capital “youth crew”  who I have seen live many times return with more straight ahead blazing hardcore with some gut-chuckling song titles (“Has Been”, “Go Back to the Gym”).  Another great gym workout motivator.

 

24.  Morrissey-Low In High School – Similar to 2014’s  World Peace Is None of Your Business, Moz’s latest release wasn’t designed to win over a huge legion of new fans and quite possibly an (deliberate?) effort to shave off a couple of layers of old.  Rather, it is for us die-hard fans that will blindly defend him to death with one eye while rolling the other at his ongoing antics.  But dig deep and you find some gems, like the opening track, “My Love, I’d Do Anything for You”, along “I Wish you Lonely” and “Jacky’s Only Happy When She is Up On the Stage.”  More importantly, Morrissey remains what we all love about him – brutally honest, beautifully brilliant,Wildeanly witty and at times, annoyingly infuriating.  It is unfortunate that many critics allow their own biases get in the way, frustrated that they can’t pigeonhole the Mancunian God  into a neatly social/political package with a bow, hence taking swipes at his art.


25. French Postcard –Misc. – another SOMA NJ band turning heads with kick-ass music with their heavy dream-swirl,  fuzz-gaze, psych-rock approach to their art, resulting in many fine tunes. (Bandcamp only: https://frenchpostcard.bandcamp.com/).


26. Quicksand – Interiors – Despite the original band lineup, not sure what makes this a “new album” from these NYHC post-hardcore kings since the music lost a lot of that relied upon “groove” found perfectly on 1990’s S/T, 1993’s Slip and 1995’s Manic Compression.  Front-man Walter Schreifels  is singing more like he is in Rivals Schools or Walking Concert and is still hooked on his guitar effect pedals he discovered in Dead Heavens.  Don’t get me wrong, it is a great record and one of 2017’s best releases, just not very Quicksand, IMHO, and if someone played it for me with out disclosing the band, I would immediately recognize Walter’ vocals for just another one of many of his projects.  If you approach Interiors album like, let’s say the latest Star Wars film, it is definitely a decent, fun release, just don’t ask too many questions.

27. Nihiloceros — S/T- from the ashes of the fab Samantha (RIP) comes Brooklyn’s finest moment in “Trash Pop.” Their debut 5 song EP showcases heavy rocking, pumping, fun songs that will put a shake in your rump and a pep in your promenading.   Front man Mike Borchardt and Co. sounds like they are having a blast and the last laugh at the same time.

 

28. The National – Sleep Well Beast – Like Radiohead, I consider The National a “mood band”, an interesting phenomena where 1.) no other music is working, 2.) hear a “mood band” 3.)have an epiphany that it was the”mood band” you were craving but would have never figured it out unless you heard them.  Interestingly, this baby steps, better than expected release from this Ohio born band has many Kid A/Amnesiac noise flirtations scattered throughout, with songs like, “Turtleneck” and “No One Else Will Be There” and “Day I Die” being some of the many standouts with the latter tune easily fitting nicely on 2013’s Trouble Will Find Me.

29. Plaid Dracula – Plaid Sabbath –  This Brooklyn, NY fuzz drenched glam rock trio are taken no prisoners with their this 3 song EP release.  Their song “Bitch Cannon III” is worth the price of admission alone.  If still too much, just steal it….it’s worth the jail time….

 

 

30. Dead Stars – Perfect Patterns – The Brooklyn, NY trio continue their straight forward, 12 song barrage of fuzzed out pop that doesn’t miss a note from last years Bright Colors.  Songs like “Precious Things” and “Pink Clouds” will have your foot tapping and head bobbing.

 

31. Husker Du -Savage Young Du – a huge 4 LP/3 CDs release (with massive amounts of photos, a hardcover book, “flyerography” and even reported matching packing tape) of remastered, original board tapes, demos, and session masters before the St. Paul (you heard me right) trio landed on the infamous SST Records.  Too many good songs to choose from, so be my guess…

 


32 . Atom Driver -Slack JawFor fans of the West Coast, Rocket From the Crypt/Night Marchers (hey Jay!),/Drive Like Jehu thingy, this New Brunswick, NJ super-group trio banded in 2016 and already offering you this ball-crushing 5 song EP of post-punk mayhem that knocks the wind out of you and have you begging for more.  Don’t believe me…try songs like “Slack Jaw” and “Hate Me Now.”  And if that aint enough, check out their other ass-whupping 2017 released EP, In The West, on Bandcamp:(https://atomdriver.bandcamp.com/album/in-the-west).

Ok…ready for it….and yes, I saved for last on purpose.


33. U2 – Songs of Experience yeah no shit, I can’t even believe it made the list either but after multiple listens, something finally clicked in the middle of a 10 mile run, which reminded of similar click with the same said band 30+ years ago, when I openly despised them at Red Rocks and adored them by Live Aid 85, which made me realize that my perspective may have been stubbornly a tad off after so much recent bouts of disappointment. Yes, ridiculously over-produced, but if you can manage to look beyond the shimmering packaging, the borderline electronic drums that I can’t even believe Larry Mullen Jr. allowed to be released, the obvious band boardroom scheming with their marketing team and attorneys close by,  and finally the Rolling Stone Magazine  $Blind$ Protectionism (they have payroll to meet, you know), songs like “Get Out of Your Own Way” into “American Soul”, “The Showman” and “Red Flag Day” are decent and will fit in nicely with their 35 year backlog.  Not sure how much I will listen to this latest offering, but I can’t honestly keep ripping on a band when I sometimes have two delay pedals on my pedal board, nor can I play favorites with the kids and turn a blind eye to adore the vain antics of Stephen Patrick while pretending to tsk tsk Paul for doing the same.  Besides, their anthem “With Or Without You” is etched into the bottom of my soul as it was on the car radio 30 years ago when I first learned of the eventual inevitable passing of my mom, marking the first and only time I ever cried about it and still makes me think of that moment every time I’ve heard it since.  And being an 1/2 Mick, it is definitely an Irish thang….

At least maybe I can ween my boys off Coldplay with this offering…who knows….

OK, going to lawyer up now…then diving adieu xoxo

What Caught My Musical Attention In 2017 AD…Part 1 of (2)

What Caught My Musical Attention In 2017 AD…Part 1 of (2)

Musically speaking, my head (and ears) can almost always be found back, oh, somewhere between 1977 and 1995.

But there will be times I am forced to surface into the present to catch some light and feed and in the process and some effort, stumble across some pretty awesome new music.

OK, fine, most of of my list consists of bands, or members that have been in other bands that have been around since 1977 or shortly thereafter….any further questions will require me to lawyer up.

I am sure I overlooked some bands…all I can say is whoops!  I shudder over the thought of all the awesome music we fail to never hear or overlook in our short, brutish lives.

In no special order, I humbly present what caught my musical attention in 2017…Part 1 of (2)….and only 10 days into the new year, a big improvement from years past….

I also added a Spotify Playlist showcasing songs from each of the bands (all the way down…).  I will update the playlist when part II of this series is released….

Enjoy like i know you will!

 

1. Dead Heavens- Whatever Witch You Are –  Backed by a super group of musicians (Guitarist Paul Kostabi (White Zombie), Bassist Nathan Aguilar (Cults) and Drew Thomas (Bold, New Rising Sons, Into Another), NYHC legend Walter Schreifels (Gorilla Biscuits, Quicksand, Youth of Today, Rival Schools, Walking Concert, World’s Fastest Car, etc), discovers guitar effect pedals and gets on his 70’s psych garage rock on with this one of many fun projects.   I caught an intimate, live show @ Garwood NJ’s Crossroads back in June and they blew everyone away!   If you are having a “smoke on the water” nostalgia, check out their first full release.

2. Rancid – Trouble Maker – This Bay Area band has always been a hit or miss with me with nothing ever coming close to 1994’s Let’s Go and especially 1995’s And Out Comes the Wolves, but their latest release knocks it out of the punk rock park and restores my faith.

 

3. Buffalo Tom – Let Me Come Over (25th Anniversary)- although not my “go to” record, this nevertheless fantastic album put my power pop fuzz rock Gods on the map back in 1992. There is an equally fantastic 1992 University of London live set from included as an added bonus capturing the Boston trio’s golden age.

 

4. The Smiths – The Queen is Dead (Deluxe Addition)– my Mancunian Gods re-release a phenomenal album that NME claims is the top album release ever, packaged with a number of unreleased demos and live tracks that will keep the die-hards (like me) relishing.

 

 

5. The Brixton Riot – Close Counts – NJ power pop garage heroes return with a phenomenal release on constant spin in my life. Songs “Caroline”, “Maybe Tomorrow” and “Talk About Nothing” are just a few of the many standouts.  Now I can take a break from listening (and requesting at shows) to “Pinwheel” off of 2012’s Palace Amusements….wait, what am I saying…..

 

 

6. Overlake – Fall – The NJ shoe-gaze trio powerhouse return with another solid release off the residual highs of 2014’s Sighs. “You Don’t Know Everything” and “Winter Is Why” simply slay it.

 

7. DC and the Desperados -Self Titled– The next big SOMA NJ sensation releases an ass-thumping, debut recording. With a Stones meets the Stone Roses/Bez-dancing, garage vibe (does that make sense?), songs like “JRZ PLTS” “Not Falling” and “Talking Shit” will keep your yoga-toned rump shaking.

8. The Menzingers – After the Party- Philly via Scranton, PA-based melodic punk and roll that I can’t get enough of. “Midwestern States” (one of my favorite songs of the year) and “Your Wild Heart”, “Black Mass”, “Lookers” are just some of the many gems found here.

9. The Forevers –Cotton Thrones – members of Rochester, NY’s power pop beauty Muler continues the loveliness with this latest head-turner of a project. Tunes like “Plum” and “Bloody Nose” are rocking.

 

 

10. Bloodclot- Up In Arms – NYHC legendary front man John Joseph’s and best release since the monumental Cro-Mags 1986 self-title released, offering 12 songs of pure metallic-hardcore punk that will heavily assist in any serious gym workout.  Backed by another super group consisting of past members of Danzig, Queen of the Stone Age, Warzone, Glen Campbell, Agnostic Front and Motorhead, this band and album will seriously give you a serious case of ass whup.

 

11. The Replacements – For Sale – Twenty nine (29) live songs from a 1986 Maxwell’s (Hoboken NJ) set from the most famous Minneapolis quartet ever with Bobby (RIP) on guitar? Do I need to say more?

 

12. Cigarettes After Sex -self-titled – turned onto this group by a Chicago-based co-worker, this Brooklyn, NY band offers swirly, reverby low-fi ambient pop. Think a male vocal version of Mazzy Star. Perfect music to chill too.

 

13. Bash & Pop – Anything Could Happen – after a 24 year hiatus, the ‘Mats (in)famous bass player, Tommy Stinson returns with his kick ass bar band project.

14. The Jesus and Mary Chain-Damage & Joy – not as good as their 1985 self-titled release, 1987’s April Skies or 1989’s Automatic (all drum machines aside), but marks a decent return for the fuzz-drenched Reid brothers with songs blending in seamlessly with the classics.

15. Allied Chemical-Swordfish Soup – SOMA NJ rockers release a solid debut effort of eleven (11) witty, fuzz-pop gems a la Pixies. I can listen to songs “Sun-Filled Living Rooms” and the beautifully trombone-laced “Joey’s Place” on repeat for eternity.

 

16. Kite Fight –self titled- Three Buffalo, NY bred lads form a Philly, PA based band and take cues from the DC Dischord Records post-punk sound and Drive Like Jehu and tweak it into their own, refreshing formula with a two guitar, one drum set and no bass secret recipe. “Try Deny” is just one of my favorites off their debut 5 song EP release.

 

 

 

Part II Soon……xoxo

Been.Listening.Too.Lately….

In case you care what I have been listening too lately (and I know you secretly lose sleep wondering)…here you go…since you insist….

Local Maplewood, NJ hometown indie rock A-Leaguers, Tri-State, continue their collective, at ease, upward momentum with their latest 5 track release , we did what we could do (2016) on the ultra-cool and equally Jersey label, Mint 400 Records .   The killer riff on the opening track (and one of my personal favorites), “Summer Nun” kicks in the thruster a bit since their beautifully gliding, yet slightly subdued 2 song EP, New Minuits (2015).  Again you find guitarists Julian Brash and Jeff Zelevansky trade off engrossing and seamless electric six-string conversations when not splitting vocal duties, while the complimenting percussionist union of Mason Rather (bass) and Brady McNamara (drums) keeps everything delightfully moving and grooving along.  wdwwcd is simply a fun record from start to finish.  It’s a perfect album on replay, tapping your foot on a sunny, sandy Miami beach while lounging lazily under palm trees, slightly concerned about falling coconuts, weird, unrecognizable birds and equally weird, unrecognizable insects (proven this past holiday weekend). Other stand out tracks include “Petty” (“boy, you got a lot to say….”), Siamese twin track “Suture”and “Automatic Man.”

 

 

My “Buffalo Bro” Daryl who I can “geek talk” music for days, weeks, even months on end (and have the never-ending text to prove it), have been digitally nudging (read: nagging) me to listen to the latest Touché Amore’ record, Stage 4 (2016) for months, but not as long as he has been nagging me to listen to Elliot Smith’s XO. I finally broke down, found time and listened…and listened…. WOW. I like it…. a lot! Based out of Los Angeles, this four-piece hardcore band found the perfect balance of familiarity and unique, of the definable and almost indefinable.  They apply a unique spin on an otherwise played out genre, somehow making melodic shoe-gazey, indie rock riffs hardcore with minimum doses of extra crunchy distortion and beautifully bridging the hardcore and post-hardcore/emo sound, similar to Title Fight.  Atypical singing patterns/rhythms and very deep, extremely personal thought provoking lyrics only add to their refreshing approach. The album title holds a double meaning, being the bands 4th record and also the very worse stage of cancer, a subject that rears its ugly head throughout the recording, apparently due to leader singer Jeremy Bolm losing his mom to the dreaded disease recently in 2014. The subject matter certainly sends my brain hurtling back 30 years ago when I lost my own mother in the same fashion, leaving me slightly envious that Bolm could scream about it for months on end touring and finding relief while I just buried those feelings deep down inside somewhere long ago where they mostly remain to this day. Ironically, after all this time, I can find some relief in Bolm’s circumstances and the bands music, knowing I am not the only one that ever went through such a soul-shredding event. Opening track, “Flowers and You,” “Displacement,” “Benediction,” and “Water Damage” are just some of the many great songs on this record. Check it.

 

The Menzingers is a Philly band I heard of a number of times but only started listening to their music because I saw they played a recent show at Garwood, NJ’s infamous Crossroads, this time nudged by the club’s Facebook page. Another 4 piece, the band plays an all too familiar sound, but they do it in a way that keeps my interest. Punk -n- Roll at its finest. The first song of theirs I got hooked on, “Remission,” off of 2014’s dour-ish Rented World, is nothing special when it comes to many other songs I subsequently discovered in their impressive catalog, but it only takes that little something to keep the tune and video on replay in my life (in this case, it’s that little “uh” leader singer Greg Barnett blurts (Accidently? Deliberately? Both?) after the first verse, or even the killer sing along chorus “Everyone needs a crutch…I need a wheel chair…I need a reason to reason with you…”). Their new record, After the Party (2017), was released just a few weeks ago and remains in heavy rotation in my life. A much cheerier release, they managed (and I slightly plagiarize from another review because I agree), to keep their street cred intact while making radio friendly songs. Check out song like “Lookers,” Mid-Western States,” “Your Wild Years,” “Black Mass” …oh, just listen to whole record, it’s great from start to finish!

 

Dinosaur Jr.’s latest, Give a Glimpse of What Yer Not (2016), is also filed under easy listening in my life. For die-hard fans, this is a typical, predictable record for the original band lineup, and that is just perfectly dandy for us. Interestingly, a little bird (i.e. drummer Murph) mentioned in an interview that GAGOWYN came to life because J. Mascis “freaked out” about not having any new songs and quickly threw some together. Many in the know would agree that the thought of J. losing his shit is hard to imagine, considering he never seems to have a pulse and really quiet during interviews. And when he does say something it is quite clear why he constantly accused of being a stoner (which he isn’t, at least according to him). Yes, the final results sound rushed when knowing this little back story, but the results are still rockingly impressive. Standouts include the opener “Going Down, “I Told Everyone” and “Tiny” but my favorites are “Lost All Day” right into “Knocked Around.”

 

The Cloud Nothings is another band I was slow on the draw about until I stumbled upon their latest release, Life Without Sound (2017). An incredibly solid listen from start to finish. It took me multiple listens on many runs final figure out what I love about this band/record: I can’t pigeonhole this band because they don’t sound like any other band that I heard of. I can’t honestly think of any other band that the Cloud Nothings sound like. Offering a completely refreshing, catchy indie sound. they mix the perfect blend of melody with umph…what’s not to like? Such tracks as the piano-tinged opener “Up to the Surface” and “Internal World” are pretty rocking tunes.

Ok…start with these. There may be a quiz. xo

Remedies For Your Musical Mental Health…..

Remedies For Your Musical Mental Health…..

Hey all, just wanted to share some great info your life desperately needs for both your listening pleasure and mental health.

First, many NJ friends of mine have great internet radio shows you should check out.

My bro Jerry Lardieri of the excellent NJ band The Brixton Riot, spins an equally excellent indie rock show called Audible Effects every Friday morning @ 9AM at Stevenson University.  You can find recordings of this show on Mixcloud.

Then my other bro, Paul Alirangues and team spins their own fantastic show every Sunday called, well, Sunday Ramble, playing and touching every music genre you can think of .  Guest appearances and sets also add to listening pleasure.  Recordings of the show can also be found on Mixcloud.

Then you have my other bro, Chris Morpeth and company have another kick ass radio show every Tuesday evening at The Mike & The Morph Show.

Finally you have my other bro, Rob Galgano plays an awesome show over at All Over The Place Internet RadioWebsite here.

Finally, Psychologist and bro Michael Friedman writes a fabulously fascinating  weekly article for Psychology Today, interviewing musicians of all shapes and sizes (some legendary) about a host of psychological issues.  Check out his latest article with legendary Bad Brains front man H.R. discussing the awesome power of P.M.A. (Positive Mental Attitude)!

Read the articles. Listen to the shows.  Like/follow them on social media.  Because I said so, yo. xo

 

2016 Musical Musings, Thus Far….

2016 Musical Musings, Thus Far….

Just some of the stuff, old and new, I have been listening to a lot in 2016…. hey, 8 months late is better than never….

 

Not sure what the deal is what my bros of Snapcase and the now mostly defunct San Diego post-hardcore outfit, Drive Like Jehu, but both ex-guitarist Scott Dressler and singer Daryl Taberski continually ramble on about how god-like their 1994 release Yank Crime is.   I actually had to go back and listen to the album to remind myself that I know it very well and indeed godlike! Hence, it is now on heavy rotation in my life. Glad to see they are touring again.

Rivers Cuomo and the boys from Weezer finally stopped taking their silliness way too seriously with their most recent release, (delightfully entitled, due to the album cover, “The White Album.”), taking yet step towards returning to true “blue” form.  While I lean towards 2002’s Maladroit, one can make a strong case that when a color-themed Weezer record shows up it is bound to be decent. “California Kids,” “LA Girlz” and “King of the World” are just some of the few Beach Boys-metal-tinged a la fuzz pop that makes you yearn for the palm trees and lovely strangeness of Venice Beach.

 

Ann Arbor, MIs Pity Sex has recently caught my attention. Their name alone kicks ass and then they got all silly and made some kick ass music to go along with it.  Lo-fi, surfy, shoe gaze done wonderfully.

The latest Violent Femmes album, We Can Do Anything, is a predictable and sometimes silly, but still fun release.  It doesn’t even dare touch their 1983 S/T release or even 1991’s Why Do Birds Sing? but it still brings a familiar smile to your face.  The Femmes are like the movie, American Beauty….both made sense when we were younger, but all fell into perfect place when we listened/watched when we hit mid-aged….

Not sure why I didn’t listen to another bro, Adriaan Klaassen, about this band back in the day when we worked together at ING.  But I am happily ashamed to admit that 14 years later, I finally discovered the genius of NYC’s Longwave’s (RIP) 2003 release, “The Strangest Things.”  Interpol meets Sink Tapes (were the latter even born back then?…ha! Sorry…couldn’t resist) is always a good combo!  My favorite track that I listened to on repeat while on a two hour shopping spree at Jersey Gardens, “I know It’s coming Soon,” can be found below.

NYC’s Dead Star’s 2016 release, Bright Colors, starts right where 2014’s Slumber stopped.  Fuzzed out indie pop where a heavy does of 90’s Dinosaur Jr. and early Weezer collide.

Bright Colors cover art

Finally, ex-Husker Du/Sugar God and front man Bob Mould has a brand spanking new album out called Patch the Sky.  I agree with the hailing critics that it is a great experience but disagree that Bob is tapping back into his Du days.  I would argue that like 2012’s Silver Age and 2014 Beauty & Ruin, Bob is flirting back to 1989’s Workbook or even 1990’s Black Sheets of Rain. Or better yet, his other project Sugar. So there, mofos!

More to come, much sooner than later, promise….xo

14 + Months Later… Part I

14 + Months Later… Part I

Well now….talk about setting goals and keeping them…NOT.

The last time I wrote anything for Review Stalker.com was way back in December 2014 with my best of the year list here.   After many months of false starts and broken self-promises (i.e. declaring to write a daily post everyday while 2 weeks at the beach in the summer of 2015 and doing squat)…alas, finally something…

Just to be clear…this is not a predictable best of 2015 list….instead, it is more like this is the what Paul was listening to a lot in 2015, whether it was released in 2015 or not list…

And to further clarify, some music is a constant in my life via tons of bands too many to list (Buffalo Tom, The Smiths, The Clash, etc.) And life changing/guiding genres like [New York] Hardcore/Punk in its various forms will never leave my side, especially while in the gym hitting the iron.

Soooo….what music has caught my fancy in 2015, either newly released, freshly rediscovered gems of the past (because I know you are just dying to know)?

And we are off…..

_________________________________________________________________________________

Samantha – Brooklyn via Chicago “thrash poppers” are looking to take on the world and kick its ass and doing a mighty fine job of doing so, thus far.  They seem to be around every NYC corner playing a show when they aren’t on tour or recording.  Couldn’t get enough of their 2011’s Threat Level Pink, then they had to release the beautiful HourGlass Noise (2015).  Check out the video for the first single (“Fight”) below….

http://https://www.youtube.com/watch?v=21RyAV-LqQU

Ride-You probably know this incredible band by their timeless piece of musical perfection “Vapour Trail” off of the heavenly album Nowhere (1990) which probably ended up on many mixed tapes of male-on- female crushes back in the 1990’s.  The momentum continued with 1992’s sophomore effort Going Blank Again (1992) that continued via Carnival of Light (1994) and Tarantula (1996).   I love it all.  Disbanded for quite sometime, they have recently reunited (what band hasn’t these days?) and been touring and that concept is simply wonderful.

http://https://www.youtube.com/watch?v=Q4JZIfx36Bg

Voice of Doom (VOD) – As described on their home label (Pyrrhic Victory Recordings), VOD is perfectly defined as “…fun, it’s frightening, and glows in the dark….”   For me, the band play an all too familiar sound that is surprisingly refreshing.  This Jersey outfit that dates back the 1980’s, released III in 2014, packing 9 songs of lovely Ozzy meets Lemmy metal/hardcore hybrid mayhem that I noticeably have on repeat within the confines of the gym.  Another EP, Scared to Death, is due out in early 2016…can’t wait.

http://https://www.youtube.com/watch?v=gMhEzmPZGRM

Tri-StateNew Minuits (2015) -2 songs of NJ indie rock perfection that continues with their trademark “hooks, harmonies, stabbing guitars, tangential arrangements, and stories from post- youth” from their 2013 self-titled EP release that is on constant rotation in my little world.   On this latest release, the math is simple…. 1 Julian Brash led song (title track) + 1 Jeff Zevelansky led song (“Titanic Brothers”)=indie rock heaven.

http://https://www.youtube.com/watch?v=aX5sDNy97IU

Noel Gallagher’s High Flying Birds Chasing Yesterday (2015).  Not as strong as his 2011 self-titled debut, but I said it before and will say it again…it’s fucking Noel, duh.   Some decent songs to be found, but what saves it for me is the tune “Lock All Doors” an Oasis-size throwback kick in the nuts.

http://https://www.youtube.com/watch?v=kcXoxmj43qI

 Cheap Girls – Never paid attention to the “Great Lakes” State until 2014 when I began to slowly realize half of it’s population seems to now live in my adopted Jersey town.  As an “unofficial roadie” for a bunch of Buffalo bands, I been to Detroit a couple of times back in college where on one trip I learned an expletive screaming local legend, Bob Seger, was once bit on the ass by a blood drawing pooch, while jogging in his affluent suburban hood.  More than one proud local “Michigander” informed me that one of my bands, Dollar Store Riot, sounds like a “Michigan garage band,”whatever that means.  But, I’ll take it if we even closely resemble bands like Cheap Girls.  Accidentally stumbling onto a bud’s (Jerry Lardieri of The Brixton Riot) playlist, I became immediately hooked on this Lansing 3 piece.  Start with Cheap Graves (2014) and work your way backwards through their 4 album discography like I did and you will be hooked.  If the opening track “Slow Nod” and killer lines like “I’m always spacing out and taking the wrong shit in..” doesn’t grab you by the crotch then that’s it.  I am done. I am leaving and taking one of the kids with me….

http://https://www.youtube.com/watch?v=hOAToI6vJ6Y

Garrett Klahn-This Buffalo native and legend epitomizes the notion of being “almost famous” many times over, but he is famous in his own right and thank Kafka for that.  Whether it was fronting the post-hardcore “emo” (before the term took on a negative tone in later years) godfathers in Texas Is The Reason (hereinafter TITR), on deck to be “the next Sunny Day Real Estate” until imploding on the eve of signing to one of many hungry major labels, to his other awesome efforts in the Wilco-ish twang of The New Rising Sons (Virgin allegedly spent $100k recording their incredible record only to mysteriously shelf it), Solea and Atlantic-Pacific.  Kiddies seeking TITR nostalgia with his worthy 2016 self-titled release won’t find it here.  It s a more rock, more mature, self-reflecting Garrett doing what he does best.  Let’s just say if he continues on this road, I have a feeling I will be one day be saying “it’s fucking Garrett, duh…”

http:/https://www.youtube.com/watch?v=PiXGuPBrsLY/

This Town Needs Guns – I was trying to pinpoint why I like these Oxford Math Rockers, with one of the best fucking names I ever heard for a band.  So playing their fantastic opener track, appropriately entitled “Cat Fantastic” off of 13.0.0.0.0 (2013), I asked my wife who knows me better than me sometimes, especially musicially.  Of course, being the wiser of the two, she kicked the playground bully square in the nads: “you always liked the multi-layered guitar with the melodic lyrics thingy…”.   Sure that, and the singer sounds very Morrissey-ish! (Hat tip to bro Scott Dressler for turning me on to these guys).

http:https://www.youtube.com/watch?v=N74X55FS3Aw//

The Goo Goo Dolls-I’ve mentioned in past writings my connections to the Goo’s when I attended SUNY Buffalo the same time the Bill’s went to (and lost all 4) Super Bowls.  My wife’s boyfriend bartended along side Johnny Goo and I lived with Robbie’s first cousin (and still friends to this day) my senior year.  My best friend and roommate, loveable but multi-majored, Mike somehow assisted in the Super Star Car Wash album cover photo (I still remember him bitching about need to wake up early on a Saturday morning to do it).  Legend has it, the self-admitting “Goo-Placements” was at a point of break up when some mid-west radio station starting playing their song “Name” and their whole world exploded.  So naturally, they declared that the Buffalo music scene being non-existent on MTV’s 120 Minutes, started wearing leather pants and ran away to LA.  In 2011 while attending a Snapcase reunion show in Buffalo, I learned from a bartender the Goos since returned to their humbled roots and are heavily involved in many local music programs for the kids.  Hence, while my wife refuses, I have forgiven the Goos!  Not sure about their new offerings, but alot of great songs on SSCW and A Boy Name Goo (Naked, Flattop, etc).

http://https://www.youtube.com/watch?v=yWBuvaMvdt4

Def Leppard-Well at least their song “Photograph” which I suddenly craved while going to pick up my son from soccer practice and haven’t stopped listening to since.  Sucks not much of band discography isn’t on Spotify but there is a killer live version of song.

http://https://www.youtube.com/watch?v=VZ5bS3_BCDs

Death VacationBrooklyn’s Death Vacation plays hardcore like it should be….loud, fast, heavy and feeling like a consistent punch to the gut while prompting the listener to crave a stage dive or two, like lemmings off a cliff.   Always being a male-dominated world, it’s refreshing to have a female around (NOT as a wallflowers at shows), especially fronting the vocals (unheard of).  Michelle “Judge Girl” Mancusco’s vocals slaps you silly with a “I have something to say and you are going to listen, punk” veracity.  They are another band on I have on replay in the gym.  Their offerings can be found on band camp.  Check it and live, bitches!

http://https://www.youtube.com/watch?v=fooY8hbbHGM

The Jesus and Mary Chain – (Psychocandy – Barrowlands Live).  You cant deny the impact of JMCs debut album, Psychocandy, but I always leaned toward their later recordings such as Darklands and even Automatic (drum machine included).   I always heard what the genius of PC, but there was a language barrier in some ways for me.  This live recording of the band playing PC in its entirety (plus some other hits) speaks to me and finally makes me understand what the band is trying to say.

http://https://www.youtube.com/watch?v=y7I2hPf0dcc

Frank Turner-the 2015 release of Positive Songs for Negative People continues where Tape Deck Heart (2013) ceased, with another dose of upbeat, uplifting, clumsy sing along anthems.  Not bad for  a guy that once fronted a post-hardcore punk band called Million Dead.  Standout tracks include “Get Better,” “Next Storm” and “Demons” to name few.

http://https://www.youtube.com/watch?v=P4IZbCl6iR4

Dot Dash – It takes a lot to impress me but musically-related facts always do.  For instance, members of this DC area power punk pop quartet are two degrees of separation away from ninety-six (yes, 96) of the most quintessential punk/post punk bands our nation’s capital has ever produced.  In other words, think of practically any band on the (in)famous Dischord Records  (you could even narrow your search further to the Flex Your Head comp (1982)) and you will most likely find a Dot Dash member link. Fucking wow I say!  DD delightfully continue with their unique blend of “sunny, [punky] jangly guitar-driven tunes” on 2015’s Earthquakes and Tidal Waves.  This stellar release contains many addicting jingles I found myself humming along to while grocery shopping more than once.  Check out one such tunes, “Flowers” below….

http://https://www.youtube.com/watch?v=NWsOcmyeCbo

Van Halen – The Diamond Dave era.  ‘Nuff said.

http://https://www.youtube.com/watch?v=SwYN7mTi6HM

Flammable Animals – My band, Dollar Store Riot, had the opportunity to play with these Asbury Park cats at New Brunswick’s infamous Court Tavern in 2015 and I and many others were impressed by their set.  Their intro song “Initium” right into “Frozen Grapes”, whether live or recorded (off of What Lies Beneath The Parkway North), packs a walloping blow that immediately sucks you in quicker then any Star Wars-related tractor beam can.

http://https://www.youtube.com/watch?v=P68AXE6oCs8

The Sink Tapes – prolific is an understatement for this New Brunswick, NJ outfit who seem hell-bent on competing with Guided By Voices by releasing an album a minute.  In 2015 they released 2 full length LPs (Creases and Window Unit Blues) along with a collection of B-sides and demos (In the Rug) and a shitload of singles.  While the sheer quantity of GBV releases tends to ultimately make the band pretentiously off putting, uninteresting and daunting (blasphemous, I know), The Sink Tapes have you yearning for more.  I still can’t get enough of the song “Vegas Hotel Yoga Spa” off of last year’s Touchdown Buffalo.

http://https://www.youtube.com/watch?v=qTTMpQp4C2U

Dead Stars – Ok, so fucking sue me. I mistakenly omitted their very pretty 2014 release, Slumber from last years “Best of List” and now seeking some form of redemption.  Fans of fuzzed out guitar rock a la Dinosaur Jr. or Pavement, take note of this NYC based band.  They have been releasing shitloads of singles since then on band camp.  Ok, am I redeemed yet?

http://https://www.youtube.com/watch?v=gE2UtuZ9txM

Muler-Rochester, NY’s power pop kings are back in 2015 with another full length LP, Unlikely Soldiers.  Still heavily chewing on to their 2011 release, Hope You Found A Home,  more Muler to listen too means a more meaningful life…can’t believe its been 20 something years these guys played my Buffalo, NY college house basement…

thb

14 +  Months… PART II

14 + Months… PART II

Into Another-their 2015 EP Omens, picks up where 1995’s Seemless left off (You can’t even count 1996’s unreleased album (??) Soul Control…diehard fans will understand).  These post NYHC kings continue to perfect their undefined melodic, thumping metallic craft.  Judging by the opener ”Crossed’, they could almost be criticized for being too good and just showing off but anyone wise would know better to say/think such silly things.

http://https://www.youtube.com/watch?v=queedcAvNSE

The Needy Sons– take Mike Gent from the Figgs and Bill Janovitz of Buffalo Tom/Crown Victoria and you have “just another band from Eastern Massachusetts” that happen to kick ass.  They have been releasing numerous singles in 2015 with promises of a full length LP in 2016.  Yay!

http://https://www.youtube.com/watch?v=beThU00nkQ0

Paper Streets – This Brooklyn via Jersey quartet released their addicting four song EP, Souvenirs, right smack in the beginning of 2015.  Their sound is best defined on their Facebook page as somewhere between Emo and Big Star.   I can’t stop listening to the opening song, “Murmur.”

a4287664340_16

SwirliesBlonder Tongue Audio Baton (1993)-Shoe gaze, alt-tuning, art noise done right that makes you second  guess Sonic Youth at times….expect for Kim….

http://https://www.youtube.com/watch?v=mtBrGMKzfJA

Velocity Girl-Their 1993 Sub Pop debut, Copacetic still stands and survives the test of time.  I was am also pleasantly reminded of my eternal indie boy crush on lead singer Sarah Shannon that never seems to dissipate.

http://https://www.youtube.com/watch?v=7Iw1-dJ_IyA

Scott Janovitz – only a complete Buffalo Tom groupie like me would know that front man Bill Janovitz comes from a long line of musically obsessed siblings.  His brother, Paul, fronted the incredible Cold Water Flat (RIP) back in the 90s.  Then you have another brother, Tom with Sodafrog.  You finally have yet another brother and musical sensation otherwise known as Scott who I first learned about though his first band, Dragstrip Courage.  Then came the Great Bandini.  Then he went on to create the oh so lovely melodic, blissful pop sounds of The Russians.  His 2015 three song Fall In EP continues the latter’s infectious Elton Costello-ish 1960-70 rocks meets 1980 new wave.  Check It.

http://https://www.youtube.com/watch?v=jVu3Y0pUYwo

Walter Schreifelsjust when you thought he couldn’t pull any more bands together, Mr. Schreifels (of NYHC legends Gorilla Biscuits and Youth of Today to post NYHC hardcore legends Quicksand, Rival Schools, Walking Concert etc. etc. etc.) actually created two new bands in 2015.  Except for the killer teaser track from the hardcore supergroup, Vanishing Life, (“People Running”), he seems more focused on his other project, Dead Heavens as of late, pumping out singles drenched in 70’s classic rock psychedelia.  Me dig it….singles sprouting up like a ear hair but far more enjoyable.  Album out soon.

http://https://www.youtube.com/watch?v=5zzOiG9ilwI

Johnny Marr – Check out the 2015 live record release, Adrenalin Baby, that finely collects tracks off Marr’s two solo releases plus some killer Smith renditions that should have the Moz nervously shitting his briefs….Johnny fucking Marr baby!!

http://https://www.youtube.com/watch?v=PdGgesRqask

Travis – one of the most underrated Brit-pop band ever.  Yes Josh “Soandso” Thomas, We Were Promised Jetpacks, Frightened Rabbit and the Twilight Sad are all worthy contemporary Glasgow/Scottish bands, but Coldplay wouldn’t suck like they do now and Oasis wouldn’t have anyone to sue if it wasn’t for this band that I recently re-discovered.  I still remember singing “Why Does It Always Rain On Me?”  incessantly in subway tunnels to my now lovely wife, Alyssa, back when I use to visit her/NYC.  The Man Who (1999), The Invisible Band (2001), 12 Memories (2003) and The Boy With No Name (2007) are all jam packed with great songs.  Testament to front man Fran Healy’s beautiful singing voice can be best found on the track “When We Were Young off of Ode to J. Smith (2008).  Keane who?

http://https://www.youtube.com/watch?v=z3mXszRrMTY

Matthew Ryan – hat tip to my buddy Rob Galgano at All Over the Place Internet Radio for turning me on to this alt-country PA native and ex- Strays Don’t Sleep.  Had the recent pleasure of catching a Ryan acoustic set opening up, for the Gaslight Anthem/Horrible Crowes front man, Brian Fallon (also  fan).  Give 2014 Boxers  a spin and if you don’t like it, then it simply sucks to be you.    Good stuff in constant rotation in my life.

http://https://www.youtube.com/watch?v=Jy_UXpxtiCE

Brian Fallon – While NJ darlings, The Gaslight Anthem, has proven to be a great band, many would agree that they were sputtering, especially after 2014 highly ambitious and worthy Get Hurt, and wisely took a long hiatus so members can focus on other projects .  Fallon’s largely anticipated solo record, Painkillers, is due out in March 2016 and if the single teasers is a litmus test for what we can expect, we should be some really happy campers.

http://https://www.youtube.com/watch?v=1OReOjoDaVQ

Bigg Butt– this New Brunswick trio produces and audacious dose of  garage, grungy “moron boogie punk” (not sure what that is but sure sounds like some shit to be reckon with).  They released a 4 song demo in April 2015 that is one part Nirvana bleachy and one part Mudhoney sludgy and deserves your attention.  Find their self-titled demo on Bandcamp…..

http://https://www.youtube.com/watch?v=ZaR1zvl1Uyk&feature=youtu.be

GalanosVacation Cannons (2015) – who knew an upstate NY town like Kingston could give birth to “silver tongued devils?”   Yup, neither did I.  Fueled in his basement studio, Gregory Jaw, and the rest of the gang  (including Joe Pugsley of The 65’s on the bass) simultaneously go for the jugular and balls, producing nine songs of intriguing dark, fuzzed out surf rock.  For those fans of the Cramps, Lords of the New Church and Nick Cave & The Bad Seeds take note, this is your cup of tea.

http://https://www.youtube.com/watch?v=ZmcXyF-ikC8

Overlake – Travelogue/Winter Why EP (2015) – another dose of toe-tapping, knee-bouncing, head-bopping piece of shoe gaze drenched perfection from these Jersey City gods, not missing a beat from their 2014 full LP release, Sighs.  Check it!

http://https://www.youtube.com/watch?v=uJ1DhXngY0A

C.R. GennoneGoing Vertical (2015) A primary founder of such Jersey bands as Tribal Days and Winnebago, C.R. Gennone released this 4 song EP back in December 2015 that has caught my attention in a major way.  An eclectic collection of jangly indie pop that’s steering wheel tapping delicious  and gas pedal throbbing.  Check out one of my favorite tracks off the release also found on Bandcamp where you will find a plethora of EP releases in 2015.

http://https://www.youtube.com/watch?v=2KmByMv6PfI

Snapcasethe co-kings (Zero Tolerance is the other…RIP!) of the Buffalo hardcore scene broke up in 2005, but have periodically played anniversary shows in past and festival shows as of late, their 25th later this month on their home turf.  A band that always sought to raise the bar on the genre, they never seem to disappoint.

http://https://www.youtube.com/watch?v=Qk1KFeBDRyE

The 65’sNew Fun Hell (2015) – This new 3 song EP from this Rutherford, NJ band picks up right where 2013’s “I Got You” EP left off and that is why it is in heavy rotation in my life.  “Punk -n- Roll” at its finest, the 65’s have the guts and grit to continually make some kick butt music.

http://https://www.youtube.com/watch?v=UXi6dt7UhuM&feature=youtu.be

http:/https://www.youtube.com/watch?v=UXi6dt7UhuM&feature=youtu.be/

The HighSomewhere Soon (1990) – first heard this record back in the 1990s when my friends and I were eating, sleeping and wearing the “Madchester” scene to the hilt.  They definitely had the scene sound down, It also doesn’t hurt to have a cool ass name and a guitarist that was an original member of the legendary Stone Roses.  The tape went lost for years, then I stumbled upon a used copy in a 5th Ave, Brooklyn record shop a few years ago.  Check out the opening track, “Box Set Go” below.  100% Britpop perfection.

http://https://www.youtube.com/watch?v=Xd_RRrEqKdA

Scott Weiland (RIP) – I’ve been semi-closeted Stone Temple Pilots fan for years (their killer third album, Tiny Gifts…Songs from the Vatican Gift Shop….”perfectly blends punk and glam” says the Pumpkin’s Corgan and I agree) and been exploring other Weiland fronted acts long before his [un]timely demise.  Despite some unevenness, his Walkabouts boasts some decent tunes and I finally slowed down to actually listened to Velvet Revolver (been debating Axl vs. Scott ever since doing so).  All good shit.

http://https://www.youtube.com/watch?v=vVD0JVnsXXw

Lighting Seeds-“Pure” – love this song and thank the God’s I remembered to start listening to this gem again…

http:/https://www.youtube.com/watch?v=6myNbk15sMs/

R.E.M.– It seemed like over the  years, many R.E.M. fans just woke up one day simply “over” the band, including me.  My own interest started waning around the release of New Adventures In Hi-Fi (1996).  MTV favs, they just got too big and too commercial too fast.  Kind of bizarre when they were once kings of the alt-music mountain that could do no wrong.  I remember declaring to my high school peers who saw my cassette copies of Under A Blood Red Sky and Murmur mysteriously “stacked and glued” to my top locker shelf (most likely due to a Coke spill), that both U2 and R.E.M. will be the most famous bands in the universe one day (and voila).  Personally, I think the combination of Stipe’s smug onstage political rants and the “Shiny Happy People” video (sans the cute B-52’s brunette dancing chick) commenced their downward slide.  Fast forward to 2015, and I found myself rediscovering the band and realizing they are probably one of the best American bands ever.  Sure they released a lot of easily overlooked material since Hi-Fi, but buried deep are a number of gems.  Just check out 2008’s Accelerate.  Next to”Begin the Begin” off one of my favorite releases, Life’s Rich Pageant (1986), the song “Living Well is the Best Revenge” is arguably one of the best songs they ever wrote and “Horse to Water” just knocks it out of the park for me like “Talk About the Passion”, “Seven Chinese Brothers” or even “Disturbance at the Heron House.” I gravitate towards 2009’s Live at the Olympia that compiles great songs old and new.  I forgive you Michael ,just bite your tongue…xo

http://https://www.youtube.com/watch?v=qcgovY-H8uA